Drawing Matter Writing Prize_ Deadline: June 19, 2020, 5pm

Two cash prizes of £1000 and up to ten awards of £300 for runners-up.

Deadline for entries: 17.00 (GMT) 19 June 2020.

The Drawing Matter Trust is delighted to announce the Drawing Matter Writing Prize. The competition invites a coming generation of writers to consider what drawings reveal about the process of design, and the buildings or objects they represent. We hope to make this an annual event.

Entries to the competition may approach drawing as shorthand for describing any process of design. In this context the word ‘drawing’ is as much a verb as a noun, implying that a purpose exists – perhaps a building or an object – for which it is being made. Certainly, the ‘drawing’ itself may be something other than paper and pencil, a plan or section; it may encompass a sequence or series (such as a sketchbook), and a broad range of techniques, such as collage, photography, models, paintings and, of course, digital media.

Designers or artists are welcome to submit an essay on a drawing of their own. If you are writing about your own work, we are interested in hearing about a specific approach to drawing that you have incorporated into your own practice.

Above all else, we want everybody to write about what they are seeing, and to consider the act of looking itself.

Competition and Awards

The competition is open to anyone between the ages of 18­–40, with or without a background in architecture or design. We welcome a broad range of approaches towards writing, and voices from art history, the sciences and humanities, alongside practitioners – architects, designers, photographers, artists, students and writers.

Entrants to the Writing Prize should submit two texts:

  • A long-form text (1,000–1,500 words)
  • A short-form text (no more than 350 words)

Each text must address a different architectural or design drawing, or sequence of drawings; one of these texts must be on a work from the collection of Drawing Matter. For the long-form text, entrants may choose to include up to 3 additional illustrations.

Two prizes of £1000 each will be awarded, for the best single long- and short-form texts.

In addition, a minimum of five runners-up will each receive £300 – this may be for an entry in either category.

The winners, and other writers with outstanding entries, will be invited to publish their texts on our website. We also plan to incorporate many of the winning texts as an early volume in a series of printed publications, based on material published on drawingmatter.org.

Access to the Drawing Matter Collection

In addition to the drawings published on our public website, drawingmatter.org, entrants can find more material from the Drawing Matter collection through our closed-access catalogue. To look at the collection, register for catalogue access here, stating ‘Writing Prize’ in the ‘company name’ field of the form. If you require a high-resolution photograph of a drawing in the collection, please request one from image.requests@drawingmatter.org. (Entrants should note that our public website, drawingmatter.org, publishes drawings not only from within the collection but also from other sources, which are clearly captioned as such. Drawing Matter material can be verified on the collection website).

Judges

The Writing Prize will be judged by a panel of distinguished writers, scholars and practitioners, with a broad range of interests and experience. The judges will blind-read the texts; their decision will be final and no correspondence will be entered into regarding the judging process.

All winners will be notified by email before the end of August 2020.

See the list of judges here.

More about Drawing Matter

Drawingmatter.org is a growing collection of texts that explore the role of drawing in architectural thought and practice. The majority of the drawings on the website are held in the physical archive of Drawing Matter, based in Somerset, UK. The website also publishes work from other collections, and by practitioners for whom drawing is part of their design process. New writing is published online every week with a selection of articles included in a monthly digital newsletter. Alongside digital projects, Drawing Matter has a robust print publishing programme.

How to enter

(1)

Purchase an entry ticket → Entry Ticket

You will receive an order number with your purchase (can’t find it? See advice here). Please make a note of this as it will be needed for your entry form and will allow us to circulate entries anonymously to the prize judges.

All proceeds from the entry tickets will be applied directly to student scholarships for our annual Architectural Drawing Summer School.

(2)

Download and complete the Writing Prize entry form → Drawing Matter Writing Prize 2020 Entry Form

(3)

Email your completed entry form, long-form and short-form text, and images to editors@drawingmatter.org. Texts and images should be formatted as follows:

Texts:

  • Both texts should be submitted as separate files. Each file name should include your order number and the type of text (short or long): for example, OrderNumberHere_Long-text.doc and OrderNumberHere_Short-text.doc.
  • Texts should be formatted as word documents, double-spaced, 12pt.
  • Numbered image captions should follow the body of each text.
  • Footnotes and bibliographies are not required.
  • Texts should be submitted in English.

Images:

  • Each file name should include your order number and the type of text (short or long) followed by the image number: for example, OrderNumberHere_Long-text_image1.jpeg.
  • Images should have a resolution of 300 dpi and should be .jpeg files.
  • You do not need to submit image files for drawings in the Drawing Matter collection, but they should be included in captions.

Featured image: Rem Koolhaas (*1944), Elia Zenghelis (*1937) and Zoe Zenghelis (*1937), Collage for Exodus, or The Voluntary Prisoners of Architecture, 1972. Pen, ink, photo-collage in colour and black-and-white, on silver backing, 295 × 420 mm from drawingmatter.org.

Call for entries: RIBAJ Eye Line 2020 Competition_Deadline: Monday, June 8, 23:59

KEY DATES

Deadline: Monday 8 June 2020, 23:59.

Judging: end June.

Winners and commendations announced: August issue of RIBAJ and online.

Exhibition opens: August/September.

Correspondence: eyeline.ribaj@riba.org

It’s back!  The 2020 edition of Eye Line, our international free-to-enter competition for drawing and rendering skills, is now open for entries. As ever we ask for images in two categories – student and practitioner – that brilliantly communicate architecture, in any medium or combination of media. It’s the pure art of architecture we’re interested in: ‘New Imagined Worlds’ is the subtitle this year.

We are especially pleased this eighth year of Eye Line to be partnering with Delta Light, the international architectural lighting company. Themselves committed to the art of architectural illustration, they are kindly hosting our judging event.

We are looking for images of all kinds, from hand-drawn concept sketch to technically proficient layered render.  For us, ‘drawing’ includes any method by which the power of an architectural idea is communicated. This includes depictions of existing buildings as well as works of the imagination.

Practitioners and students enter in different categories:

•    Student category – images made by those in architectural education or who are submitting images made before final qualification.

•    Practitioner category:  images made by those fully qualified and working in practice, whether for real-life projects or to explore ideas and experiences.

We will exhibit winners and commendations at the RIBA following a winners’ party there, and will publish them in print and online. And our colleagues at the RIBA’s Drawings and Archives Collection, based in the Victoria and Albert Museum, will inspect our winners for potential inclusion in the collections.

Last year’s practitioner winner was Ed Crooks for his series of pen-and ink fantasias on Lutyens’ Castle Drogo commissioned by the National Trust: student winner was Theo Jones from the Bartlett with his series ‘Unfolding Julian Assange’s Home of Diplomatic Containment’ made in Photoshop and Illustrator. Commendations in all media ranged from sparse elegant line drawings via watercolour on cardboard.

Every year we are gratified by the originality, wit and talent represented in Eye Line: a truly international, free-to-enter award conducted online.  Practitioners and students – show us your best drawings!

Hugh Pearman, The RIBA Journal

For more details and how to apply please go to: https://www.ribaj.com/culture/enter-eye-line

Featured image: RIBAJ

Architecture History + Theory Guest Lecture by Kate Mackintosh “Where wealth accumulates and men decay” available for viewing online

The first lecture in the Architecture History + Theory Guest Lecture series, delivered by Kate Mackintosh on the subject of social housing on February 13, 2020 in the School of Architecture + Cities, is now available for viewing online:

Of the three requirements for realising a civilised life, namely a home, education and health-care, the most fundamental of these is decent and secure shelter, without which the other two are almost impossible to achieve. The link between good housing and health was the stimulus behind the 1919 Addison housing act. With the NHS lurching from crisis to crisis our politicians should brush up on their history.

Featured image: “Dawsons Heights looking NE across the central space.”

“Where wealth accumulates and men decay”, Oliver Goldsmith.

ADAM Architecture Travel Scholarship 2020_Deadline: April 30, 2020

ADAM Architecture is inviting students to apply for the annual Travel Scholarship to support overseas research in architecture, architectural technology and urban design.

The closing date is 30th April 2020. The award of £2,000 supports overseas research in architecture, architectural technology and urban design.

Judges will be looking for a significant piece of original research work, and an outstanding contribution to architectural knowledge. The award is not focused on traditional architecture and the judges are stylistically neutral in their evaluation of the proposals.

The travel scholarship is open to students enrolled at a UK or International University or School of Architecture, studying RIBA Part I; applicants who are 3 years post their Part II qualification; to students studying a CIAT accredited degree, post-graduate course, or equivalent qualification.

First launched in 2005, the scholarship is now in its 15th year and has a proven track record of supporting students to travel overseas to further develop their current research interest or to kick-start something new, often outside of their studies.  A brief summary of the previous winners is on ADAM Architecture website.  Many past recipients have been invited to present their research at a public event hosted by ADAM Architecture.

Talking about his experience, previous Travel Scholarship winner, Sam Little who studied at the Architectural Association, said: 

The Scholarship was fantastic in giving me the impetus to fulfil a project which otherwise would have been left in the locker. It gave me the will and economic means to pursue a trip to Iran to look at 11th century Seljuq buildings. It was a trip which simply would not have been possible without the agency which the scholarship gave me. The whole process was thoroughly enriching and being encouraged to work with freedom helped to place an emphasis on the experience of the trip, rather than any rigid preconceived understanding of the subject.  I would encourage anyone thinking about applying to do so.

Full details and how to apply are available at: www.adamarchitecture.com/academic/travel-scholarship

Friday Technical Surgeries

Each year, the final year MArch and Year 3 BA students are invited to attend the Friday Technical Surgeries, to help them develop the technical side of their design projects. 

The tutorials are organised by Dr Will McLean, and the University of Westminster (UoW) Technical staff is joined by the visiting structural engineers, environmental consultants and practising architects who act as consultants for the students. 

In attendance last Friday were:

  • Scott Batty (UoW)
  • Will McLean (UoW)
  • Andrew Whiting (HUT) (UoW)
  • Chris Leung (UCL) (UoW)
  • Paolo Cascone (UoW)
  • Alison McLellan (UoW)

Plus:

Architecture History + Theory Guest Lecture: Prof David Porter “Learning from Neave Brown: The Poetics of Habitation,” Thursday, March 12, 18:30, Robin Evans Room (M416), Marylebone Campus

When: Thursday, 12th of March, 18:30

Where: Robin Evans Room (M416), Marylebone Campus, University of Westminster, NW1 5LS

Neave Brown received the RIBA’s Gold Medal in 2018 in recognition of his contribution to the architecture of housing. David Porter worked with him for many years and will use an unpublished Dutch project, the super-dense Projekt Zwollsestraat, to reflect on Brown’s more famous housing projects in Camden: Alexandra Road and Fleet Road. He will explore his approach to the making of architecture and urban space.

Biography

David Porter is an architect, urbanist and educator. He was Professor of Architecture at the Central Academy of Fine Art, Beijing (2012-8); President of the Architectural Association (2015-8); and Head of the Mackintosh School of Architecture, the Glasgow School of Art (2000-11). From 2011-14 he was also Adjunct Professor in the School of Architecture & Design at the Royal Melbourne Institute of Technology.

Formerly a partner in Neave Brown David Porter Architects working on high-density urban projects in the Netherlands, David was also a founding partner of Clements & Porter Architects, is a Fellow of the Royal Incorporation of Architects of Scotland and of the Royal Society of Arts, and a Trustee of Jacksons Lane, North London’s creative performance space. He now teaches in the BA Architecture course here at the University of Westminster.

Architecture History + Theory Guest Lecture: Prof Julian Henriques “Sonic Architecture: flesh and space at auditory frequencies,” Thursday, March 5, 18:30, Robin Evans Room (M416), Marylebone Campus

When: Thursday, 5th of March, 18:30

Where: Robin Evans Room (M416), Marylebone Campus, University of Westminster, NW1 5LS

In this talk I explore what “thinking through sounding” and “sonic space” might reveal about the kind space and place we inhabit in our ordinary lives. Sonic space is where sound defines space, rather than the way space is often assumed to define sound. Examples of sonic spaces in Jamaican culture include reggae dub music (King Tubby and other tracks played on vinyl in the talk), the speaker box architecture of the dancehall sound system session, my own sonic sculptures and the paintings of the artist Denzil Forrester. I then deploy the idea of sonic space as a critique of default ocularcentric assumptions of perception, the emptiness of the geometrical abstractions of line and plane, the rationalisation of vision that provides such a convenient metaphor for hierarchies of power. From this I pursue a conception of vibrational frequencies – whether auditory or visual – as constituting the medium through which we move, are enfleshed and share our dwelling.

Biography

Professor Julian Henriques is convenor of the MA Scriptwriting and the MA Cultural Studies programmes, director of the Topology Research Unit and a co-founder of the Sound System Outernational practice research group in the Department of Media, Communications and Cultural Studies, Goldsmiths, University of London. Prior to this, Julian ran the film and television department at CARIMAC at the University of the West Indies, Kingston, Jamaica. His credits as a writer and director include the reggae musical feature film Babymother and We the Ragamuffin short. Julian researches street cultures, music and technologies and is interested in the uses of sound as a critical and creative tool. His sound sculptures include Knots & Donuts (2011) at Tate Modern and his books include Changing the Subject (1998), Sonic Bodies (2011) and Sonic Media (forthcoming 2021). 

Derivas: “The reactivation of the travel diary and the fight for the right to walk”, Tuesday, March 3, 18:30, M416, Marylebone Campus

When: Tuesday, 3rd of March, 18:30-20:00

Where: M416 (Robin Evans Room), Marylebone Campus, University of Westminster, NW1 5LS

Derivas recovers the importance of walking as a research and learning tool. However, it is in the exploration of different methodologies and ways of walking where another possibility underlies, that of reconquering the world by moving our bodies through space, by practicing such an ancient performance that will allow us to recover rights that have been taken away by modern cities or that we did not even know we had: the right to the city, the right to nature, the right to beauty, the right to travel, the right to loiter…

What other rights can we regain as we walk? What new/other opportunities will London offer us if we physically walk around it and in and out of it?

Ximena and Francisco will then be leading ten days of walks/explorations across London: you are welcome to be involved.

Nibbles & drinks from 18:00

Biography

Dérive LAB is a multidisciplinary laboratory founded by Ximena Ocampo and Francisco Paillie based in Latin America, that seeks to explore, understand and inspire other (new) ways of living and thinking about life in the City. Through research, design and action, they develop projects with impact on three specific scales: public life, the built environment and everyday objects.

Ximena Ocampo is an architect graduated from Tec de Monterrey, she holds an MSc in City Design and Social Science from the London School of Economics and Political Science (LSE). She worked as an urban designer at WRI Mexico, and later founded dérive LAB, where she currently leads different projects with a focus on public space, active mobility and, in general, the relationship between people and space.

Francisco Paillie is a psychologist graduated from Pontificia Universidad Javeriana, he later studied an MSc in Social and Cultural Psychology at the London School of Economics and Political Science (LSE). He was Leader of Social Participation of the Territorialization Strategy of the City Prosperity Index (CPI), implemented by UN Habitat in Querétaro (MEX). In 2013 he founded dérive LAB, where he works to date as project manager focusing on public space, active mobility and, in general, the relationship between space and psychology.

To register for this event please go here.

Architecture History + Theory Guest Lecture: CJ Lim “Smartcities, Resilient Landscapes,” Thursday, February 27, Robin Evans Room (M416), Marylebone Campus, 18:30

When: Thursday, 27th of February, 18:30

Where: Robin Evans Room (M416), Marylebone Campus

The Thursday evening guest lecture series continues this week with a lecture by Bartlett professor of Architecture and Urbanism, CJ Lim. The lecture will outline his new book, Smartcities, Resilient Landscapes and Eco-warriors.

The book represents a crucial voice in the discourse of climate change and the potential opportunities to improve the ecological function of existing habitats or create new landscapes which are considered beneficial to local ecology and resilience. The notion of the Smartcity is developed through a series of international case studies, some commissioned by government organisations, others speculative and polemic. Following on from the success of the first edition ‘Smartcities + Eco-Warriors’ (2010), this second edition has nine new case studies, and additional ecological sustainability studies covering the romance of trees.  

CJ Lim is the Professor of Architecture and Urbanism at the Bartlett, UCL. His teaching and design research focus are on multi-disciplinary innovative interpretations of social, political, and environmental sustainability programmes in urban planning, architecture and landscape. He is the recipient of the Royal Academy of Arts London ‘Grand Architecture Prize’. His authored books include ‘Smartcities + Eco-warriors’ (2010), ‘Short Stories: London in two-and-a-half Dimensions’ (2011), ‘Food City’ (2014) and ‘Inhabitable Infrastructures: Science fiction or urban future?’ (2017).

UNOVIS Centenary Panel Discussion, Thursday, February 20, 6.30pm, Robin Evans Room, Marylebone Campus

When: Thursday, February 20, 18:30

Where: Robin Evans Room, M146 , Marylebone Campus

Founded by artist Kasimir Malevich in Vitebsk, ‘Champions of the New Art’ (UNOVIS) was an influential group of pioneering artists and architects central to the early twentieth century Russian avant-garde. Brief presentations by four different speakers, each with a different take on the significance of UNOVIS, will be followed by a panel discussion chaired by Tszwai So:

Panelists:

  • Richard Difford
  • Prof. Christina Lodder
  • Dr. Katie McElvanney
  • Dr. Victoria Watson