Symposium “Postmodernism Now: Politics, Culture, Context” at Design Museum London _ Saturday 30th June, 11:00-18:00

Douglas Spencer, lecturer at the University of Westminster and the leader of the MArch Dissertation module, will be speaking at:

Postmodernism Now: Politics, Culture, Context

This symposium investigates the revival of postmodernism, and what it might mean for our current moment.

When: Saturday 30 June, 11:00-18:00

Where: Design Museum London

In this symposium, leading architects, designers, artists and critics reflect on the influence and legacy of postmodernism, and ask what the renewed interest in its ideals and values has to do with our own period of political and economic uncertainty.

Postmodernism emerged in the 1970s as the cultural response to the era’s shifting economic and political sands: the break with the mixed economy of the post-war years and the emergence of neoliberalism. This moment of flux was manifested in a culture that was colourful, ironic and self-aware. In contrast to the certainties of the post-war era, all became relative in an invigorating culture of permissiveness and free-floating signifiers.

The backlash began in the early 1990s when postmodernism began to be seen as an aesthetic aberration forever associated with reactionary politics, Thatcherism and the hyper-consumption it unleashed. Today, we are told that Postmodernism is back, with a slew of books, reappraisals, and a new generation of architects and designers advocating its principles of aesthetic pluralism, licentiousness and stylistic promiscuity. But what should we make of it?

This event has been organised alongside the exhibition ‘The Return of the Past: Postmodernism in British Architecture’, which is on at Sir John Soane’s Museum, 16 May – 26 August 2018.

For more info and booking: https://designmuseum.org/whats-on/talks-courses-and-workshops/postmodernism-now-politics-culture-context

Featured image credit: Al Yaqoub Tower, Dubai, 2013, by Adnan Saffarini, via Design Museum

Conference “Superstructures: The New Architecture 1960-1990” at The Julian Study Centre and Sainsbury Centre for Visual Arts on the 8th and 9th June 2018

Douglas Spencer, lecturer at the University of Westminster and the leader of the MArch Dissertation module, will present his work at:

SUPERSTRUCTURES: THE NEW ARCHITECTURE 1960–1990 CONFERENCE

See below for dates / £50/£37.50 concessions, Free for students. Pre-booked tickets only / The Julian Study Centre and Sainsbury Centre for Visual Arts

To book please call Visitor Services 01603 593199

Explore the influences and legacies of the iconic ‘High-Tech’ building style. International architecture and design historians will unpick and magnify themes from the Sainsbury Centre’s 40th anniversary exhibition, SUPERSTRUCTURES: The New Architecture 1960–1990.

Conference Programme

Friday 8 June | 4:30 – 7:30pm

A special exhibition tour with SUPERSTRUCTURES co-curator Professor Jane Pavitt will be followed by the conference Key Note speech by Professor Todd Gannon. ‘Reyner Banham and the Paradoxes of High Tech’ will reassess the work of one of the most influential voices in twentieth-century architectural history.

Saturday 9 June | 10am – 4pm

Encounter a day of stimulating talks covering subjects from the mid-century designs of Charles and Ray Eames, to the spectacular growth of British leisure centres throughout the 1970s.

Speakers will convene for questions with plenty of opportunities to hold further discussions over lunch and refreshments.

Speakers include:

Professor Jane Pavitt, Head of the School of Critical Studies and Creative Industries at Kingston University.

Professor Todd Gannon, Head of Architecture Section at The Ohio State University’s Knowlton School and author of Reyner Banham and the Paradoxes of High Tech.

Professor Pat Kirkham, Professor of Design History at Kingston University.

Dr Otto Saumarez Smith, Shuffrey Junior Research Fellow in Architectural History Lincoln College, University of Oxford.

Douglas Spencer, Lecturer in Historical and Critical Thinking at Architectural Association and author of The Architecture of Neoliberalism.

Programmed in partnership with the Modern Interiors Research Centre at Kingston School of Art (Kingston University)

This event is inspired by SUPERSTRUCTURES: The New Architecture 1960–1990, an exhibition that marks the 40th anniversary of the opening of the Sainsbury Centre for Visual Arts, the first public building designed by the world-renowned architect Norman Foster.

Exhibition runs until 2 September 2018.

Architecture Research Forum: “What About Design?” Kester Rattenbury, Thursday 17th May, Erskine Room, 5th Floor, 13:00-14:00

KESTER RATTENBURY: “WHAT ABOUT DESIGN?” The Research Assessment and You

Westminster has an amazing body of active, diverse, internationally recognised staff teaching our students design. Their outputs – your outputs – include buildings, competition designs, exhibitions, books, collaborations, products, blogs, new ways of working. This work is recognised locally, nationally and internationally. But is it research?

Arguably in all case, and demonstrably in some, yes, it is. And when the next national University research appraisal, the REF, takes place, all staff will be considered to see what their ‘research outputs’ have been, and will have to make submissions demonstrating this.

In the last REF, Architecture was able to submit Design Portfolios of selected staff projects for the first time. This Research Forum opens the discussion on how this will work – and whether we can in any way shape the process so as make the work of our remarkable staff a more more visible part of our School.

This is a short, three part event to open the discussion:

*Professor Lindsay Bremner and Professor Susannah Hagan will give short accounts of how the process worked last time;

*Toby Burgess and Arthur Mamou-Mani will give short presentations of the range of work they do, as an example of the range of our staff work

*Open discussion chaired by Kester Rattenbury on how we might approach Design Folios in the next REF and whether we could turn any part of the exercise to our advantage.

When: 17 May 2018, 13.00–14.00

Where: Erskine Room, 5th Floor

The Architecture Research Forum is a seminar series hosted by the Architecture + Cities Research Group where staff present work-in-progress for discussion.

ALL WELCOME

Roca One Day Design Challenge UK, Roca London Gallery, Saturday 26th May, 9:00-20:30

The second edition of the Roca One Day Design Challenge UK will take place in London on Saturday, the 26th May. Once again, the event will take place at the Roca London Gallery, emblematic building in the city designed by the renowned architectural firm Zaha Hadid Architects.

As usual, the challenge will consist of a competition against the clock in which the participants will have to design a product related to the bathroom space in just one day.

When the challenge finishes, a professional jury made up of internationally renowned architects and designers will evaluate the projects based on the creativity and originality of the designs, the feasibility of the project and the quality of the presentations.

The competition, organised by Roca since the year 2012, is aimed at young students and professionals under the age of 30 that wish to test their creativity and participate in a collaborative event with other young people from these sectors.

Are you under 30 and living in the UK? Register for the next Challenge and show us what you’ve got!

When: Saturday, 26th May 2018, 9am-8.30pm

Where: Roca London Gallery, Station Court, Townmead Rd, Fulham, London SW6 2PY

To register online go to: http://www.onedaydesignchallenge.net/en/contests/united-kingdom/united-kingdom-2018

London Festival of Architecture: “Knowledge Territories”, Italian Cultural Institute, Monday 4th June, 19:00-20:30

As part of the London Festival of Architecture programme, Davide Deriu (Director of Research and MA Architecture course leader) will be chairing a panel on Knowledge Territories at the Italian Cultural Institute on the 4th June.

The authors of a recent book about the architecture of higher education will discuss (in English!) university buildings and the politics they reflect.

The event will consider how university architecture should respond to the new conditions under which higher education operates, as well as how architecture may be conceived as central to a substantial contemporary redefinition of higher education comparable to that of 1968, when Joseph Rykwert described the new universities of the time as archetypes of combined urban and educational values for their age.

They will be joined in conversation by Dr Clare Melhuish, Director of the UCL Urban Laboratory.

When: 4th June 2018, 19:00-20:30

Where: Italian Cultural Institute, 39 Belgrave Square, SW1X 8NX

More info and booking (free):

https://www.londonfestivalofarchitecture.org/event/knowledge-territories/

Featured mage: Photo by Stefano Graziani from LFA’s web-site

Expanded Territories Reading Group: “Architecture in the Anthropocene: Encounters Among Design, Deep Time, Science and Philosophy”_Wednesday 6th June, 17:30, M330

The second Expanded Territories reading group will meet in M330 on Wednesday 06 June at 17.30.

Christina Geros will introduce:

Architecture in the Anthropocene: Encounters Among Design, Deep Time, Science and Philosophy, edited by Etienne Turpin.

The book is available for download or purchase here:

http://www.openhumanitiespress.org/books/titles/architecture-in-the-anthropocene/

Discussion will be accompanied by wine and nibbles.

All are welcome.

Call for Papers: Island Dynamics Conferences – Svalbard (Norway) & Macau (China) – Various deadlines

Calls for papers for three Island Dynamics conferences taking place in the first half of 2019

  1. DARKNESS, 13-17 January 2019, Svalbard
  2. Special Territorial Status and Extraterritoriality, 20-24 January 2019, Svalbard
  3. Culture in Urban Space: Urban Form, Cultural Landscapes, Life in the City, 8-12 April 2019, Macau, China

1. DARKNESS, 13-17 January 2019, Svalbard

http://www.islanddynamics.org/darknessconference.html

This multidisciplinary conference explores cultural and environmental aspects of darkness. Darkness is a recurring motif: as chaos and void in mythological narratives; as an aesthetic choice or driver of adaptation in architecture and design; as a marker of hidden activity on the dark web; as a source of dread, beauty, or awe in literature and film; as an ambiguously attractive quality in dark tourism; as an ideal threatened by light pollution; as a symbol of otherness in colonial encounters.
Darkness and the impossibility of visual orientation often connote danger, uncertainty, malice, even moral ruin. Indeed, darkness plays so central a role in our understandingof terror that it is deemed worthy of note when a horror film succeeds in terrifying us in the daylight (The Wicker Man (1973), Picnic at Hanging Rock (1975)). Both in the past and today, Western colonialism has addressed its own anxieties by projecting them onto the non-European “dark places of the earth,” as Conrad puts it in Heart of Darkness (1899). Darkness can also be appealing. Tourists are drawn both to the illicit thrill of visiting sites of tragedy and violence and to the humbling majesty of the polar night. In a densely populated world, natural darkness is an increasingly rare experience, leading to the establishment of International Dark Sky Sanctuaries where the stars of the night sky remain visible.

About Longyearbyen, Svalbard: Longyearbyen (population 2200) is the world’s northernmost town, the main settlement in the vast Svalbard archipelago. Although Svalbard is under Norwegian jurisdiction, this arctic outpost is so remote and its environment so harsh that it was first permanently inhabited in the early 20th century. Longyearbyen was founded as a coal mining town and hosts an arctic sciences university centre, yet life here today increasingly revolves around tourism: both during the summer, when the sun never sets, and in winter, when the sun never rises. The polar night lasts from late October until mid-February. Delegates will have the opportunity to experience the northern lights (aurora borealis) and the deep darkness of the arctic wilderness.

About the conference: Delegates will arrive in Longyearbyen on 13 January. On 14 and 17 January, delegates will take excursions out into Svalbard’s spectacular Arctic landscape and industrial heritage: 1) a trip into the polar night by dog sled and 2) a visit to one of Longyearbyen’s old coal mines. (The precise excursions are subject to weather.) Conference presentations by delegates will be held on 15-16 January at Radisson Blu Polar Hotel Spitsbergen. Registration covers five dinners and all conference activities.

How to make a presentation: 15-minute presentations are welcome on any aspects of darkness in culture and the environment. The deadline for abstracts is 30 June 2018. You can submit your abstract here. The deadline for early registration is 31 July, and the final deadline registration 31 October.

If you have any questions, please e-mail convenor Anne Sofia Karhio.

2. Special Territorial Status and Extraterritoriality, 20-24 January 2019, Svalbard

http://www.islanddynamics.org/extraterritoriality2019.html

This conference explores tangible consequences of territories subject to exceptional forms of governance or jurisdiction: enclaves and exclaves, autonomous zones, reservations, reserves, domestic dependent sovereignties, export processing zones, sham federacies, subnational island jurisdictions, overseas territories, military installations, protectorates, realms, free-trade zones, and any other forms of specially designated territory, the status of which creates identifiable outcomes. These outcomes include (but are not limited to) territorially conditioned differentiations in: economic policies and practices; inward or outward migration; culture, language, and traditions; health; Indigenous self-determination; military alliances and installations; scientific and research practices; environmental issues; jurisdictional capacity; and diplomatic or paradiplomatic practices.

About Longyearbyen, Svalbard: Longyearbyen (population 2200) is the world’s northernmost town, the main settlement in the vast Svalbard archipelago. Svalbard is under Norwegian jurisdiction and is administered by a Governor appointed by the Norwegian state. Nevertheless, the terms of the Svalbard Treaty (1920) have placed significant limits on Norway’s ability to control immigration to and economic activity in this distant territory. Longyearbyen is home to residents of over 40 nationalities, Russia runs the mining town of Barentsburg, and the settlement at Ny-Ålesund hosts research stations from more than a dozen countries. The polar night, when the sun never breaches the horizon, lasts from late October until mid-February.

About the conference: Delegates will arrive in Longyearbyen on 20 January. On 21 and 24 January, delegates will take excursions out into Svalbard’s spectacular Arctic landscape and industrial heritage: 1) a trip into the polar night by dog sled and 2) a visit to one of Longyearbyen’s old coal mines. (The precise excursions are subject to weather.) Conference presentations by delegates will be held on 22-23 January at Radisson Blu Polar Hotel Spitsbergen. Registration covers five dinners and all conference activities.

How to make a presentation: This interdisciplinary conference welcomes presentations addressing any region of the world as well as innovative perspectives that highlight the complex intersections of multiple peoples, places, and polities. Presentations last 15 minutes and will be followed by around 5 minutes’ question time. The deadline for abstracts is 30 June 2018. You can submit your abstract here. The deadline for early registration is 31 July, and the final deadline registration 31 October.
If you have any questions, e-mail convenor Zachary Androus.

3. Culture in Urban Space: Urban Form, Cultural Landscapes, Life in the City, 8-12 April 2019, Macau

http://www.islanddynamics.org/cultureurbanspace.html

The city cannot be understood in terms of its buildings, infrastructure, and physical geography alone. Urban materiality is inextricably linked with city life: Urban spaces are influenced by the cultures that inhabit them, and urban form shapes these cultures in turn. This conference brings together researchers, planners, designers, and architects from around the globe to explore the mutual influence of urban culture and urban form.
Impacts of past urban planning reverberate long after original rationales have become obsolete: Fortifications (walls, moats, fortresses), coastlines and land reclamation, transport infrastructure (roads, bridges, city gates), and other elements of the built environment structure future development. Aspects of urban form contribute to dividing the city into neighbourhoods, determining which areas flourish while others decay, encouraging shifts from industrial to tourism to leisure uses. The city’s architectures affect the cultures of the people who use them: Different kinds of housing foster different forms of sociality or isolation, and different networked infrastructures promote different pathways to the internal cohesion and/or citywide integration of urban cultures. Whether urban cultural landscapes evolve gradually over time or result from decisive, top-down planning, they reflect and influence the city’s multitude of identities, industries, cultural politics, ethnic relations, and expressive cultures.

About Macau: In 1557, Portugal established a colony on Macau, then a sparsely populated archipelago in the Pearl River Delta. Macau developed into a major trading centre and regional leader in the gambling industry. Macau became a self-governing Special Administrative Region of China in 1999. Macau’s islands were expanded through land reclamation over time. The spatial limitations arising from the territory’s enclave geography led to extreme yet phased urban densification. Macau is today the most densely populated territory in the world, with 650,000 residents concentrated in just 30.5 km², primarily on the 8.5 km² Macau Peninsula. Yet despite its small size, Macau Peninsula is a place of strong neighbourhood and functional distinction, encompassing heritage tourism zones; Buddhist, Taoist, and Christian religious sites; residential districts at all income levels; casino zones; green parks; and retail districts.

Although Macau is best known for its gambling tourism and UNESCO World Heritage status (both of which are characterised by strict regulatory regimes), Macau Peninsula in particular is rich in vernacular urban and architectural practices that flourish alongside, above, and sometimes beneath the city’s internationally oriented facade. The simultaneous preservation of colonial heritage and construction of monumental casino tourism infrastructure means that, despite the withdrawal of Portuguese colonial rule, the culture, traditions, and lifestyles of the Chinese people of Macau continue to be pushed to the margins of this hyper-dense city, necessitating creative spatial practices and clear differentiations between spaces for tourists and residents. At the same time, in an atmosphere of Western suspicion toward China, Macau’s decolonisation and re-Sinification is often framed in terms of culture loss, a framing that paradoxically echoes discourses surrounding Indigenous activism. Macau’s urban space thus contains and conditions complex negotiations regarding cultural authenticity, visibility, and practice.

About the conference: ‘Culture in Urban Space’ allows delegates to contextualise knowledge and engage with the local community. On 8-10 April, delegates will explore the morphological and cultural distinctions of Macau Peninsula, visiting diverse neighbourhoods across the city, with an emphasis on the ways in which the urban environment has transformed over the centuries. Delegates will experience Macau’s urban environment through three days of walking-based field trips, including visits to tourist gateways, religious sites, heritage tourism zones, and residential neighbourhoods, and casino zones, and commercial areas. Conference presentations will take place on 11-12 April. Special emphasis will be placed on negotiations of meaning within the urban environment, particularly in the aftermath of colonialism and other forms of cultural encounter.

How to make a presentation: This interdisciplinary conference welcomes presentations addressing any region of the world as well as innovative perspectives that highlight the complex intersections of multiple peoples, places, and polities. Presentations last 15 minutes and will be followed by around 5 minutes’ question time. The deadline for abstracts is 31 August 2018. You can submit your abstract here. The deadline for early registration is 31 October, and the final deadline registration 30 December.

If you have any questions, e-mail convenor Adam Grydehøj.

The Colin Rowe Lecture Series: Tim Benton – 22nd May, 18:30-20:00, RIBA

THE COLIN ROWE LECTURE SERIES: TIM BENTON

​​Conversation on the role of the image in architecture.

When: 22 May 2018, 6.30pm to 8pm

Where: RIBA, 66 Portland Place, London W1B 1AD

Contact: ​valeria.carullo@riba.org ​

Tickets: £5; £2.50 for students (includes glass of wine)

For more info and to book tickets: https://www.architecture.com/whats-on/the-colin-rowe-lecture-series-tim-benton

“Refugee Shelter: Design, building and engagement” – Monday 30th April, 18:30 – 21:00, RIBA

When: Mon 30 April 2018, 18:30 – 21:00

Where: RIBA, 66 Portland Place, London, W1B 1NR

Registration: https://www.eventbrite.co.uk/e/refugee-shelter-design-building-and-engagement-tickets-43742106819?aff=es2

 

‘Toward Healthy Housing for the Displaced’, the winning entry to the RIBA President’s Awards for Research 2017 Housing category, was written by a team of researchers from the Department of Architecture & Civil Engineering at the University of Bath.

Their work highlights the neglected issue of indoor environmental conditions that displaced people are exposed to; conditions that are often extreme and can have serious implications for the health of the occupants. The reality is that there are 10’s of millions living in these ‘temporary’ camps, which often endure for years on end. Using literature review and collecting on-site longitudinal data and occupant interviews from camps in Jordan, the team sought to understand and document the range of climatic conditions faced by those living in the camps, the problems caused and the adaptions made to alleviate the situation.

With projects involving displaced peoples and camps making a regular contribution to the RIBA President’s Awards for Research, we have invited other leading researchers to present their work and provide a broader perspective on this often overlooked aspect of shelter for displaced people.

We invite you to join the discussion, along with researchers in-the-field, to explore ongoing efforts to improve the conditions of the many that find themselves forced from their homes and their normal lives.

Speakers:

  • Prof David Coley & Dr Jason Hart, University of Bath
  • Dr Nasser Golzari & Dr Yara Sharif, Golzari-NG- Architects
  • Dr Irit Katz, University of Cambridge, Affiliated Lecturer, Department of Architecture
  • Dr Maria Faraone, Oxford Brookes University, Lecturer, School of the Built Environment

#PARPresents

 

 

Architecture Research Forum: “Ecological Standardisation” Roberto Bottazzi & Harry Charrington, Thursday 5th April, Erskine Room, 5th Floor, 13:00-14:00

ROBERTO BOTTAZZI & HARRY CHARRINGTON: Ecological Standardisation

In 1966, Aino and Alvar Aalto worked together with Leonardo Mosso on a prototypical project for a series of warehouses for the Ferrero Company. Though the project was shelved shortly before going onsite, their collaboration had produced an original outcome. A former intern in Aalto’s office, Mosso had – up to that moment – been Aalto’s local architect for his Italian commissions. Centred on a critical investigation of their Ferrero Warehouse and Office project (1966–67), our research explores the evolution of an ecologically-motivated concept of reflexive standardisation premised on repetitive components and bespoke, or flexible, joints that ‘bind the elements’. The forum will examine the impulses that informed the Aaltos’ realisations of an elastic standardisation in the 1930s and 1940s, and how Mosso, one of the pioneers of computation in architecture, interpreted and extended this method at the city-scale through computation.

Roberto Bottazzi is a Senior Tutor at the Department of Architecture. He is interested in the history and uses of computational tools in architecture and urbanism.

Harry Charrington is Head of the Department of Architecture. He worked for Elissa Aalto, and co-authored the oral history of the Aalto atelier Alvar Aalto: The Mark of the Hand (2011).

When: 5 April 2018, 13.00–14.00

Where: Erskine Room, 5th Floor

The Architecture Research Forum is a seminar series hosted by the Architecture + Cities Research Group where staff present work-in-progress for discussion.

ALL WELCOME