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Call for Papers: Design Research for Change Symposium, The Design Museum, Wednesday 11th and Thursday 12th of December 2019_Paper Submission Deadline, April 5

Context

A quick search of the word “design” reveals hundreds of different definitions. Likewise, there are many different designers – different disciplines, different attitudes, different goals, different agendas, different ways of working, different ways of doing research, different outputs, and different values. Perhaps, however, the connection between all of these diverse activities is the iterative development of products, services, systems, experiences, spaces, and other stuff in order to improve the human experience. In other words, using the power of human creativity to improve humanity.

Today, with its application across a wide range of different disciplines and fields, design is being used to help address significant, complex, and global issues ranging from antimicrobial resistance to mobility, from healthy ageing to migration. And with its inherent agility and applicability, design helps shape the technological advances which are transforming the world around us.

In recent years, design research has witnessed a “social turn” where researchers have looked to make change in social contexts as opposed to wholly commercial ends. This “social turn” has encompassed a range of activities and interventions that constitute a more “socially-driven” form of design, which suggests that researchers and practitioners from non-design disciplines are central to realising change in social situations.

The Design Research for Change (DR4C) symposium will examine this “social turn” in design in detail and explore how design is increasingly involved in social, cultural, economic, environmental and political change. The DR4C Symposium will highlight the significant roles that design researchers play in some of the most challenging issues we face, both in the UK and globally, such as creating new products with reduced environmental impact, design research that enhances policy-making through greater citizen involvement, gaming interventions that prioritise the rights of girls and women to live a life free from violence, and design research that helps address recidivism by reframing prison industries as holistic “creative hubs”.

Audience

The audience for this symposium is wide and will not only include design researchers, design practitioners, and design academics BUT will be of significant interest to researchers in other areas including (but not limited to) education, healthcare, government, biotechnology, engineering, management, computing, and business. Given the reach and interdisciplinary nature of many forms of contemporary design research it is anticipated that this symposium will be of interest to practitioners and researchers in a wide range of disciplines.

Themes

The DR4C Symposium is a much-needed, timely, and significant one. The themes proposed (below) are intended to be inclusive (not exhaustive) and contributions are very welcome that challenge these areas and others.

Design Research for Economic Change

Design Research for Social Change

Design Research for Health and Wellbeing Change

Design Research for Environmental Change

Design Research for Educational Change

Design Research for Energy Change

Design Research for Public Services Change

Design Research for Behaviour Change

Design Research for Care Change

The DR4C Symposium aims to include a rich mix of design-led research papers, from authors across the world. This will include papers where design research traverses disciplinary, methodological, geographical and conceptual boundaries that highlights the wide-ranging social, cultural and economic impact of emerging forms of design research. We expect that collaboration will be a key factor in these Design Research for Change Symposium papers drawing on expertise, for example, in areas such as business, engineering, environmental science, health and wellbeing working alongside a wide range of design researchers.

Questions

We invite authors to submit high-quality, previously unpublished, original contributions that explore one or more of the DR4C Symposium themes. Submitted papers will be assessed through a double-blind review process and accepted papers will be published in a Design Research for Change book.

We ask authors to consider and respond to one or more of the following questions in their DR4C paper:

  • What are we as design researchers with other researchers changing? Why?
  • What difference(s) is your design research actually making?
  • Who decides what to change?
  • Who decides/evaluates if this change is “positive” or “good” or “enough”?
  • What impact has your change delivered? At what cost?

Also, we ask interested authors to consider how their design research project addresses one or more of the following:

  • Why is your design research concerned with change-making?
  • What have you tried to change through your design research?
  • Who has activated the change? And who has been affected by that change?
  • How have you delivered change though your design research?
  • What evidence do you have for the change that you claim?
  • When has your design research brought about positive change and when has it been detrimental?
  • Where else have you seen change happening?

Further, more broadly and looking to the future:

  • What should design research change now?
  • Can design research really change anything?
  • What will you do to make change?
  • In what ways do you envision the impact of such change to be evaluated?

Submission Details

DR4C papers should be a maximum of 5,000 words (excluding references) and should include relevant images. Submissions should be anonymised for double-blind review. Accepted paper authors will be given a 30-minute single-track presentation slot at the Design Research for Change Symposium at the Design Museum, London on Wednesday 11 and Thursday 12 December 2019. Submissions should be in PDF format.

* DR4C papers should be emailed to p.rodgers@lancaster.ac.uk before 5 April 2019.

Key Dates

5th February 2019 – Design Research for Change Symposium Call-for-Papers

5th April 2019 – Paper Submission Deadline (maximum 5,000 words)

3rd May 2019 – Announcement of Paper Decisions

10th May 2019 – Design Research for Change Symposium Registration Open

3rd June 2019 – Final Paper Deadline

11th & 12th December 2019 – Design Research for Change Symposium

Acknowledgements

The Design Research for Change (DR4C) Symposium is supported by the Arts and Humanities Research Council (AHRC) under the AHRC’s Design Priority Area Leadership Fellowship scheme (Award Ref: AH/P013619/1) and the Design Museum, London.

Guest Lecture: Dr Jingru Cheng, “Home: A Project of Rural China”, Thursday, March 7, 18:00, Robin Evans Room (M416)

When: Thursday, 7th of March at 18:00

Where: Robin Evans Room (M416), 35 Marylebone Rd, Marylebone, London NW1 5LS

China’s 245 million floating population has resulted in a missing middle generation in contemporary rural families. Through fieldwork and case studies of self-built rural family houses, the research identifies a fundamental change in the idea of family and domesticity, and terms this phenomenon the ‘dissolved household’. The elastic relationship in household managements manifests a flexible, spatially stretched form of labour division and collaboration between genders, generations and households. The idea of domestic space is thus an elastic form of association.

Dr Jingru Cheng’s research project, Care and Rebellion: The Dissolved Household in Contemporary Rural China, recently received a commendation in the RIBA President’s Awards for Research.

Her work traces the fundamental changes taking place in the nature of domestic space in China.

Featured image: The Yard in Liu Brothers’ Family House, Shigushan Village, Wuhan, China, 2016 (Photo & Collage by Jingru Cyan Cheng).

ADAM Architecture Travel Scholarship_ Deadline: April 30, 2019

ADAM Architecture is inviting students to apply for its annual Travel Scholarship.

The award, increased this year to £2,000, supports overseas research in architecture, architectural technology and urban design.

The closing date is 30th April 2019.

Judges will be looking for a significant piece of original research work, and an outstanding contribution to architectural knowledge. The award is not focused on traditional architecture and the judges are stylistically neutral in their evaluation of the proposals.

The scholarship is open to students enrolled at a UK or International University or School of Architecture, studying RIBA Part I and up to 3 years after Part II qualification, studying a CIAT accredited degree or post-graduate course, or equivalent qualification.

For further details and how to apply go to: https://www.adamarchitecture.com/travel-scholarship.htm

Panel Discussion: “Dressing / Undressing the Landscape” with DS22 tutors Yara Sharif and Nasser Golzari, Rich Mix, Saturday, March 9, 14:00-16:00

How can communities outside the Middle East, including diaspora, engage in influencing the decolonization of public space and architecture?

Alongside the exhibition, a panel discussion on the Arab cities of Mosul, Baghdad, Riyadh, Ramallah, Beirut, Damascus and Gaza will take place to unpack their vanishing landscape and the way it is being ‘Dressed and Undressed’. Notions such as Home, re-production, re-construction and re-imagination of space will be interrogated by different researchers through film, drawings and mapping.

This event is FREE and open to all but registration is essential to attend.

To book please go to: https://www.eventbrite.co.uk/e/dressingundressing-the-landscape-panel-discussion-tickets-57315042836

The event will be organised by PART and the panel discussion will be led by PhD students and researchers from the University of Westminster and University College London.

Curator Yara Sharif invites guests to explore the concept behind the exhibition, and its importance as an alternative lens into a world of responsive architectural design.

The discussion will address the social and environmental issues of colonisation, where foreign architecture and spatial design can demolish not only functional space, but with it, layers of history, culture, memory and identity.

Chair : Dr Nasser Golzari

Panelists: Dr Murray Fraser & Yara Sharif

Exhibitors:

  • Palestine Regeneration Team (PART)
  • Yara Sharif
  • Hemali Rathod
  • Julia Topley
  • Sakiya: Art, Science, Agriculture
  • Sahar Qawasmi
  • Rim Kalsoum
  • Hiba Al-Safi
  • Nuha Hansen
  • Angeliko Sakellariou
  • Dana Nasser
  • May Sayrafi
  • Samar Maqusi

AWAN, which is about to enter its 5th edition, showcases the work of contemporary Arab women artists in the UK, Europe and beyond, providing opportunities for artists and audiences to celebrate, be informed and network whilst exposing new audiences to the work of emerging and established artists.

AWAN is produced by Arts Canteen and supported by Rich Mix London

Architecture Research Forum: “Rethinking the mosque in Britain” Shahed Saleem, Thursday, March 7, 13:00-14:00, Erskine Room, 5th Floor

When: 13:00-14:00, Thursday, 7th of March

Where: Erskine Room (M523), 5th Floor, Marylebone Campus

Shahed Saleem is a practising architect and teaches both Design Studio and History & Theory at SA+C. He is also a Senior Research Fellow on the Survey of London.

Exhibition Opening: “Dressing / Undressing the Landscape” curated by DS22 tutor Yara Sharif, Friday, March 1, 18:00-20:00, Rich Mix

When: Friday, 1st of March 2019, 18:00 – 20:00 GMT

Where: Rich Mix, 35-47 Bethnal Green Road, London E1 6LA

 

Dressing/Undressing the Landscape explores means to rethink the current cultural landscape of the Middle East.

In a dialogue between architecture, art and spatial design, female architects and artists from the Arab world and beyond, bring forward new insights to the cities of Gaza, Mosul, Baghdad, Damascus, Beirut, Ramallah and the rural villages of Palestine.

The works provoke the current geography of the Middle East and the way it is being represented, exploited and imagined — especially with the on-going colonial project that continues to dress it with alien layers and new sceneries.

The contributors question through design, what might a landscape crafted by women be like? They offer alternatives that resist the legislated power of men, the power of war and the power of image, which have been constantly reinvented.

In the cities of Mosul, Damascus and Baghdad Dressing/Undressing the Landscape goes beyond the surface to cultivate hope; contributors share the beauties of everyday life and the hidden agencies that shape their cities.

In Palestine, Undressing the Landscape is a way to expose the hidden potentials of the ‘edges’ and what has become a leftover landscape. In Beirut however, the work reveals the naked reality of what appears to be a ‘magical’ setting; it narrates the underground life of Syrian Refugees.

Exhibitors:

  • Palestine Regeneration Team (PART) — Yara Sharif, Hemali Rathod, Julia Topley
  • Sakiya: Art, Science, Agriculture — Sahar Qawasmi
  • Rim Kalsoum
  • Hiba Al-Safi
  • Nuha Hansen
  • Angeliko Sakellariou
  • Dana Nasser
  • May Sayrafi
  • Samar Maqusi

This exhibition is curated by Yara Sharif from Palestine Regeneration Team (PART).

It will be accompanied by a panel discussion on Arab cities and the making, redefining and reclaiming of public space, on 9 March 2019 as part of Arab Women Artists Now Festival @ Rich Mix main space from 14.00 – 16.00pm.

AWAN, which is about to enter its 5th edition, showcases the work of contemporary Arab women artists in the UK, Europe and beyond, providing opportunities for artists and audiences to celebrate, be informed and network whilst exposing new audiences to the work of emerging and established artists. www.awan.org.uk

AWAN is produced by Arts Canteen and supported by Rich Mix London

This private view of the “Dressing/Undressing the Landscape” exhibition event is free and open to all but registration is essential to attend.

To book please go to: https://www.eventbrite.co.uk/e/dressingundressing-the-landscape-tickets-56815700289?aff=ebdssbdestsearch

 

Monsoon [+other] Grounds Symposium, Thursday 21st, 16:00 – Friday 22nd of March, 18:00, M416, Marylebone Campus

When: Thursday, 21st of March 2019, 16:00 – Friday, 22nd of March 2019, 18:00

Where: Room M416, University of Westminster, 35 Marylebone Road, London NW1 5LS

Monsoon [+ other] Grounds is the third in a series of symposia convened by the Monsoon Assemblages project. It will comprise a key-note address, inter-disciplinary panels, and an exhibition. The event will bring together scholars and practitioners from a range of disciplines to engage in conversations about geologies, soils, histories, spatialities, and modifications of monsoon [+ other] grounds.

The confirmed keynote speaker is:

Tim Ingold, Professor and Chair of Social Anthropology at the University of Aberdeen. His early work involved ethnographic research amongst the Skolt Saami of northeast Finland. This led to a more general concern with human-animal relations. Most recently, he has been working on the connections between anthropology, archaeology, art and architecture, conceived as ways of exploring the relations between human beings and the environments they inhabit, as mutually enhancing ways of engaging with our surroundings. Ingold is author of numerous books, anthologies and essays, including, most recently, The Life of Lines (Routledge, 2015) and Anthropology: Why it Matters (Polity Press, 2018).

The event programme will be released shortly.

To book tickets: https://www.eventbrite.co.uk/e/monsoon-other-grounds-symposium-tickets-53177045976 

“Humanitarian Sediments”, Lecture by Professor Lindsay Bremner at Goldsmiths’ Visual Cultures Programme, Thursday, February 28, 17:00-19:00

When: Thursday, 28th of February 2019, 17:00-19:00

Where: LG02, Stuart Hall Building, Goldsmiths, London SE14 6NW

This presentation will be about sediment and humanitarian violence. It will examine the response of the Bangladesh government to the influx of 600,000 Rohingya refugees from Myanmar in 2017. Mobilising suspension as analytical method, it will argue that Bangladesh’s response has enlisted or ‘weaponised’ sediment, to both offer and undercut hospitality to the Rohingya, un-grounding them and heightening their political and material precariousness.

Event is free, no booking required.

Celebrating Geoffrey Bawa, Wednesday, March 13, 18:00-21:00, Room 416, Marylebone Campus

When: Wednesday 13th of March 2019, 6pm – 9pm (Talk Starts at 6.30pm)

Where: University of Westminster, School of Architecture & Cities, Room 416, 4th Floor, Marylebone Campus, London NW1 5LS (near Baker Street Station)

 

Monsoon Assemblages has teamed up with the Friends of Sri Lanka to celebrate the work of Geoffrey Bawa.

Bawa (1919 – 2003) is regarded as one of the most in infuential Asian architects of his generation and a pioneer of a style that has become known as “Tropical Modernism”. We hope that staff and students in the School of Architecture + Cities will join us.

Booking is via Eventbrite at https://geoffreybawa. eventbrite.co.uk for a small cost, but there are some FREE places for staff and students at the School of Architecture + Cities. We ask that you kindly email Chamali Fernando at the Friends of Sri Lanka Association Chamali.FOSLA@gmail.com to have your name placed on the guest list.

At the event, architect Wendy de Silva and writer David Robson will look back on the life and work of Sri Lankan master architect Geoffrey Bawa. Both Wendy and David knew Geoffrey Bawa personally and will remember him with professional pride, personal anecdotes and joy. The evening will also incorporate the launch of David’s latest book: Bawa Staircases.

2019 marks the centenary of the birth of Sri Lankan architect Geoffrey Bawa. Bawa was born in Colombo in 1919 to parents of mixed Sri Lankan and European descent. He studied English at Cambridge and Law in London during the Second World War and then worked brie y as a lawyer in Colombo. In 1948, he bought an abandoned rubber estate near Bentota and set out to transform it into a Sri Lankan evocation of a classical European garden. It was this project that inspired him to become an architect. Returning to London, he qualified as an architect at the Architectural Association and, in 1957, became a partner in the Colombo practice of Edwards, Reid & Begg. He then embarked on a forty-year career in architecture, during which he created such masterpieces as the Bentota Beach Hotel, the Sri Lankan Parliament at Kotte, the Ruhunu University Campus and the Kandalama Hotel near Dambulla. Bawa’s career ended in 1998 when he was felled by a stroke and he eventually died in 2003. In 2001, he received the Aga Khan’s Award for a Lifetime’s Achievement in Architecture.

David Robson is a Professor of Architecture and must be the world’s leader in Bawa studies. From 2002, with the publication of his Geoffrey Bawa: the complete works to 2018 and the publication of Bawa Staircases, David has written four major books on Bawa, with more on his associates. He is the holder of the Geoffrey Bawa Trust Award for Lifetime Achievement and he has much to tell us. Copies of Bawa Staircases and other David Robson books will be available to purchase on the night.

Wendy de Silva is an award-winning architect who practices in London at the IBI Group. During the early 1980s, Wendy worked with Bawa on the design of the Ruhunu University Campus. Wendy is also one half of the Chance de Silva practice in London, a practice set up to explore the possibilities of architecture in interaction with other participants: artists, designers, musicians (and who can forget Laki Senanayake’s divine copper balustrade winding its way round the central staircase of Bawa’s Lighthouse Hotel at Galle; the elegant inhabitants of Sri Lanka grappling with occidental invaders, a figure playing a pipe at the very top – oriental calm in the face of violence – nor, amongst many such instances, the same artist’s delicious trees drawn through several storeys of the Triton Hotel at Ahungalla).

Lindsay Bremner & Chamali Fernando

Monsoon Assemblages & The Friends of Sri Lanka Association

l.bremner@westminster.ac.uk  Chamali.FOSLA@gmail.com

Featured image: Geoffrey Bawa, Steel Corporation Offices and Housing, 1966–1969

Expanded Territories Reading Group: “Improvised Lives” by AbdouMaliq Simone, Tuesday, April 9, 18:00, M330

The Expanded Territories Reading Group will be held on Tuesday 9th of April at 18.00 in M330, Marylebone Campus, University of Westminster NW1 5LS.

Professor Lindsay Bremner will introduce AbdouMaliq Simone’s Improvised Lives (2018).

The poor and working people in cities of the South find themselves in urban spaces that are conventionally construed as places to reside or inhabit. But what if we thought of popular districts in more expansive ways that capture what really goes on within them? In this important new book AbdouMaliq Simone portrays urban districts as sites of enduring transformations that mediate between the needs of residents not to draw too much attention to themselves and their aspirations to become small niches of exception.

Suggested future titles are:

Amitav Gosh (2016). The Great Derangement. Chicago: University of Chicago Press.

Cadena, M. de la and Blaser, M., eds. (2018). A world of many worlds. Durham: Duke University Press.

Viriasova, I. (2018). At the limits of the political: affect, life, things. Lanham: Rowman & Littlefield International.