About this Event
For the 2020 iteration of the annual Robin Evans Lecture, we are delighted to be joined by Eyal Weizman, founding director of Forensic Architecture and Professor of Spatial and Visual Cultures at Goldsmiths, University of London.
In light of the current pandemic this year’s lecture will be delivered online via the University of Westminster’s GoToWebinar account. Further details around the topic and discussion of this year’s lecture will be made available in due course.
Registration for the Lecture
You can register for the event on Eventbrite; either by scanning the QR code in the above invite, or by visiting:
Upon registration on Eventbrite your name and email address will be added by the Event Coordinator to the individual GoToWebinar registration page. By registering on Eventbrite, you consent to these details being added to the GoToWebinar registration page for the event.
You will receive a separate email within 1 working day from University of Westminster (via email@example.com) with a calendar invite and a unique link to join the Webinar. Please note: This link is unique to each registrant and should not be shared with others.
About the Speaker
The author of over 15 books, he has held positions in many universities worldwide including Princeton, ETH Zurich and the Academy of Fine Arts in Vienna. He is a member of the Technology Advisory Board of the International Criminal Court and the Centre for Investigative Journalism. In 2019 he was elected life fellow of the British Academy and appointed Member of the Order of the British Empire (MBE) in the 2020 New Year Honours for services to architecture.
Eyal studied architecture at the Architectural Association, graduating in 1998. He received his PhD in 2006 from the London Consortium at Birkbeck, University of London
About the Robin Evans Lecture Series
This series supports outstanding scholarship in the history of architecture and allied fields, building on the work of Professor Robin Evans (1944-1993). It encourages scholars working on the relationship between the spatial and social domains in architectural drawing, construction and beyond. Evans’ work interrogated the spaces that existed between drawing and building, geometry and architecture, teasing out the points of translation often overlooked.
From his early work on prison design and domestic spaces, through to his later work on architectural geometry, Evans sought to articulate the multiple points at which the human imagination could influence architectural form. His first book, The Fabrication of Virtue, analysed the way that spatial layouts provided opportunities for social reform via their interference with morality, privacy and class. In The Projective Cast: Architecture and its Three Geometries, Evans traced the origins of the humanist tradition to understand how human form influenced architectural drawing and construction, focusing on aesthetic dimensions in the production of architectural space.
This series will provide opportunities for the creation and/or dissemination of work by scholars working on similar questions of space, temporality, and architecture. In particular, it supports work that breaks the boundaries of traditional disciplines to think though these complex networks involved in the space between human imagination and architectural production.