Who: Catherine Ramsden, Useful Studio
When: Thursday, 25th of October, 18:00
Where: Room M416, 35 Marylebone Road, London NW1 5LS
Who: Catherine Ramsden, Useful Studio
When: Thursday, 25th of October, 18:00
Where: Room M416, 35 Marylebone Road, London NW1 5LS
When: Friday, 26th of October 2018, 9:30 – 18:00
Where: AA Lecture Hall, Architectural Association, 36 Bedford Square, London WC1B 3ES
8,000 meters above sea level exists what climbers call the ‘death zone’. This altitude marks the limit for human habitation, above which our species cannot survive. We thrive in the ‘life zone’ – the earth’s land surfaces and oceans, its geological layers beneath, the dynamic atmosphere above – all affected by gravitational and magnetic forces beyond. This living world is constantly being transformed by our social, economic and political interactions revealing our intricate dependencies on the the earth and its systems.Terms such as ‘Anthropocene’ and ‘Capitalocene’ have drawn attention to the role of political economy in transforming these earth systems and positioned design as a major geological force shaping the planet.
The ‘Design Agency within Earth Systems’ symposium invites participants to look through these planetary lenses to reflect upon the complicity of design in the destruction of the planet; to question the two dimensional, land based political technologies, by which we order our lives and our relations to the earth; to explore the material dimensions of air, ground and ocean as inter-twinings of socio-political and earth systems; and to imagine relations between socio-political and earth systems differently through design.
When: 27 October 2018, 9am to 6pm
Where: Roca London Gallery, Station Court, Townmead Rd, London SW6 2PY
The annual AIA UK Student Charrette offers UK students the opportunity to take part in a juried day-long event hosted by the Roca Gallery.
CALLING ARCHITECTURE STUDENTS!
£10 per student (includes lunch and refreshments, and reprographic services throughout the day)
The Charette is a CAD-free event, and students are asked to present drawn, modelled and collage proposals only. Students may bring their favourite drawing medium and tools with them. AIA UK will also be providing additional materials to support students, including drawing materials and reprographic services.
Students can self-assemble in teams of 8 or sign up individually and be assigned to a team on the day.
Deadline for Registration Extended: Wednesday, 24 October 2018 at 6pm
One team per university per course.
Registration is strictly limited to 80 students in total.
Register: https://www.eventbrite.co.uk/e/aia-uk-2018-student-charrette-tickets-49951133184?utm_source=Universities&utm_campaign=47e997bc9d-EMAIL_CAMPAIGN_2018_09_06_03_45_COPY_01&utm_medium=email&utm_term=0_e23dbaf630-47e997bc9d-425607793
Generously hosted by Laufen and Roca London Gallery.
Carsten Hanssen, Atelier 27 Architects, Paris.
Dr. Patrick Lynch, Lynch Architects, London.
Dr. Stephen Gage, University of Reading.
Who: Stephen and Annabelle Harty, Harty + Harty
When: Thursday, 18th of October, 18:00
Where: Room M416, 35 Marylebone Road, London NW1 5LS
Who: Christina Seilern from Studio Seilern Architects
When: Thursday, 11th of October, 18:00
Where: Room M416, 35 Marylebone Road, London NW1 5LS
When: 13:00-14:00, Thursday 4th Of October
Where: Erskine Room (M523), 5th Floor, Marylebone Campus
At the 2018 EAHN conference in Tallinn I gave a paper under the session theme of Architecture’s Return to Surrealism. The session asked how the reanimation of surrealism in the work of architects active in the 1970s and ‘80s – at the ‘tangled, asynchronous juncture of the modern and the postmodern,’ – allowed architecture to ‘formulate a critical project in reaction to the neoliberal economy that was producing its own dreams, needs and desires.’ Based on my conference paper, this presentation looks at Aldo Rossi and the connection to surrealism in his work through the influence of the writer Raymond Roussel. I argue that Rossi used Roussel to make memory an active ingredient in the architectural imagination, hence the reference to surrealism within the formulation of architectural projects after modernism.
Victoria Watson teaches in the School of Architecture + Cities and practices as Doctor Watson Architects.
Technical Studies Lecture Series is back!
During the first semester the School of Architecture and Cities hosts the Thursday evening ‘Technical Studies’ lecture series to highlight new developments in the fields of architecture, engineering and environmental design. The series attempts to capture a contemporary philosophy of architecture and technology and introduce students to current and future trends in the development and understanding of architecture. This years talks include, a glass skyscraper in Southwark, a new ‘rusty’ steel footbridge in Chiswick, self-build housing in South London and a brand new type of ‘deployable’ structure.
The series starts with Jason Flanagan (Flanagan Lawrence Architects) talking about the importance of sound and acoustics in the design of new performative architecture.
When: Thursday, 4th of October 2018, 18:00
Where: M416, Marylebone Campus, 35 Marylebone Rd., London NW1 5LS
When: Saturday 23rd June 2018, 19:00
Where: Auditorium de L’Institut du monde arabe, Paris, France
If in Paris on the 23rd of June, don’t miss DS22’s tutor Yara Sharif‘s presentation at “Décoloniser les esprits via le design et l’architecture” event at L’Institut du monde arabe , and as part of the Palest’In&Out Festival.
More info on the event (in French): https://www.imarabe.org/en/rencontres-debats/decoloniser-les-esprits-via-l-architecture-et-le-design
“Decolonizing minds and spirits through architecture and design” will be one of many fantastic events including film screenings, workshops and installations to take place during the festival.
Palest’In & Out 2018: Discover what Palestinian contemporary art has to offer, and reimagine Palestine from a new perspective.
The Festival programme (in French) : http://www.institut-icfp.org/category.php?id=9498y38040Y9498
When: Tuesday 19th June 2018, 18:30-20:30
Where: The Architectural Association Bookshop, 32 Bedford Square, London WC1B 3ES
by Kester Rattenbury, Published by Lund Humphries, 2018
Who is the most famous member of the Architectural Association, past or present? Rem Koolhaas? Richard Rogers? Peter Cook? Or maybe Thomas Hardy: poet, novelist, architect; and creator of one of the most famous part-real, part-imagined realms the world has seen?
The Wessex Project: Thomas Hardy, Architect by Kester Rattenbury is the first in-depth study of Hardy’s work by an architectural critic, and it opens a startling new perspective on this world-famous author. Through it, we begin to see Hardy as someone who never gave up architecture: not just as a highly architectural writer, but as someone experimenting in all kinds of representation, including drawing, mapping, photography, stage design and writing; not just as a seminal English storyteller, but as England’s most influential conservation campaigner too; not just as a leading voice in literature, but as the creator of one of the greatest ever conceptual architectural projects.
Kester Rattenbury is Professor of Architecture at the University of Westminster. This book offers both a new way of looking at Hardy’s great works and an exploration of the how architects see, imagine, and work.
When: Saturday 30 June, 9:00 – 16:45 (with a break for lunch)
Where: St Barbe Museum and Art Gallery in New Street, Lymington
Tickets are £15 (£12.50 concs) and include refreshments.
DS2.5 tutor Camilla Wilkinson, is the Keynote Speaker, presenting her Dazzle research, at the Southampton University Study Day in Lymington.
For more info and bookings please go to: https://www.stbarbe-museum.org.uk/discover/news.php?p=2018-05-09-dazzling-event-to-mark-centenary-of-first-world-war
The exhibition, “Dazzle: Disguise and Disruption in War and Art”, is at St Barbe Museum and Art Gallery in New Street, Lymington, from 16 June – 23 September. It includes work by Norman Wilkinson, Edward Wadsworth, Montague Dawson, John Everett and many more artists, on loan from national, regional and private collections, including the Imperial War Museum and British Maritime Museum.