RIBA Part 1 and Part 2 Bursaries open for applications | Deadline: Friday, May 28, 5PM GMT

The eligibility criteria:

RIBA Part 1 Bursary

To be eligible to apply for a RIBA Part 1 Bursary, students must currently be enrolled in the first year of a RIBA Part 1 course in the UK. Recipients of these bursaries will receive a maximum of £6,000 distributed in £1,000 termly instalments throughout the second and third years of study. Successful part-time applicants will receive the same maximum amount in payments proportionate to the length of studies.

RIBA Part 2 Bursary

To be eligible to apply for a RIBA Part 2 Bursary, students must be in the process of applying for a RIBA Part 2 course in the UK beginning in September 2021. Proof of enrolment will be required before the bursary is paid to successful applicants. 

Recipients of these bursaries will receive a maximum of £6,000 distributed in £1,000 termly instalments throughout the course of the Part 2. Successful part-time applicants will receive the same maximum amount in payments proportionate to the length of studies.

The deadline to apply (for both bursaries) is 5pm on Friday 28 May 2021.

For more information on how to apply please visit here.

Architecture History + Theory Lecture Series: “Papered Spaces: Writing Cultures, Clerks and Provincial Office Architecture in Colonial India” by Tania Sengupta, Thursday, March 25 at 18:30 GMT

When: Thursday, 25th of March at 6.30pm GMT

Link: Click Here to Join

ALL WELCOME!

This talk is about a spatial and experiential world of paper records, files, textual cultures, bureaucracies, officers and clerks. I look at ordinary buildings of British colonial everyday governance in interior areas of India in the nineteenth century. Colonial governance in India was based on global technologies of writing produced by European mercantile capitalism, as well as on the transformation – into paper-forms – of the embodied administrative knowledge held by extant Indian (Mughal) officials. I reflect here on how the material logic of paper and paperwork profoundly shaped and permeated the spaces of the colonial office (cutcherry). I also think about their connection with wider geographies of (colonial) Indian paper and ink economy, as well as how various immaterial processes and information networks in fact subverted colonial paper rule and worked through alternative spatialities.

Dr Tania Sengupta

Decolonising Performative Architecture Seminar Series: “Sustainable Architecture in the Digital Era” Hanaa Dahy, BioMat, ITKE, University of Stuttgart, Tuesday, March 16, 2.00pm GMT | Online

When: Tuesday, 16th of March at 2.00pm GMT

Blackboard link: https://eu.bbcollab.com/guest/a1f67e76494344a3ba9b0a002be29c38 

The seminar is organised by Paolo Cascone, Yota Adilenidou and Maddalena Laddaga in the frame of Architecture and Environmental Design DS3A “Decolonising Performative Architecture” seminar series.

Hanaa Dahy is a registered architect, engineer and material developer who established in the frame of her professorship the research department BioMat (Bio-based Materials and Materials Cycles in Architecture) as a Junior Professor at ITKE (Institute for Building Structures and Structural Design) since July 2016 at the Faculty of Architecture and Urban Planning in the University of Stuttgart. She earned her PHD from ITKE in Stuttgart in 2014 with Excellence and earned her Bachelors and Master Degree in ‘Architectural Engineering’ in 2003, 2006 respectively from Ain Shams University in Cairo with Honors. Hanaa developed, designed and manufactured a number of innovative sustainable building products that were widely presented in international exhibitions and attracted a lot of industrial interests. Among other research areas, she is particularly interested in biomimetic principles, sustainability and their impact on architectural practice and applications. She has pending European and international patents, earned the best of Materials and Design award (Materialica) in Munich in 2015 and the Material Prize award (MaterialPreis) in 2016 from the Design Center of the state Baden-Württemberg in Germany, a fellowship for the innovation of university-teaching in 2017, a number of research/industrial project funds and is a member of a number of European and international scientific and professional bodies. Her teaching and training are in the area of architectural design, composites, structure and materials, smart systems, fabrication and biomimetics 

Decolonising Performative Architecture Seminar Series: “Italian Pavillion 2021: Exaptation and Serendipity” Alessandro Melis , University of Portsmouth, Curator of the Italian Pavilion – Venice Biennale 2020/21, Monday, March 15, 2.00pm GMT | Online

When: Monday, 15th of March at 2.00pm GMT

Blackboard link: https://eu.bbcollab.com/guest/0c1eb0958d304a78a4b51396245b91fd 

The seminar is organised by Paolo Cascone, Yota Adilenidou and Maddalena Laddaga in the frame of Architecture and Environmental Design DS3A “Decolonising Performative Architecture” seminar series.

Dr. Alessandro Melis RIBA ARB AOU, is a full professor of architecture innovation at the University of Portsmouth and the Director of the Cluster for Sustainable Cities in the UK. In 2019, he was appointed by the Italian Minister of Cultural Heritage (MIBAC) as the curator of the Italian Pavilion at the 17th International Biennale of Architecture in Venice 2021, and in 2020 Ambassador of Italian Design on behalf of the Italian Minister of Foreign Affairs. Previously, at the University of Auckland, he was the head of the technology area and director of postgraduate engagement at the School of Architecture and Planning. In the period 2010-2013 he has been the Director of Urban City Lab at the Institute of Architecture of the university of Applied Arts Vienna (Die Angewandte, Vienna) and visiting professor at the Foster Foundation, and in Germany (Anhalt University, Dessau). He holds a PhD in architecture design from the University of Florence. He has been an honorary fellow at the Edinburgh School of Architecture. He has also been invited as a to speak at the China Academy of Art, the University of Cambridge, the MoMA New York, TED, the Italian Institute of Culture in London, and the UNESCO Headquarters in Paris. He is a visiting critic at UCL Bartlett, Architectural Association London, SCI-Arc Los Angeles, RMIT Melbourne, TU Berlin, Florida International University, and New York Institute of Technology. In 1996, he founded Heliopolis 21, a multi-awarded architecture practice based in Italy, Germany, and the UK. The SR1939 Institute of the University of Pisa, the Stella Maris Hospital, and the Auditorium of Sant’Anna, inaugurated by the president of the Italian Republic, Sergio Mattarella, are acknowledged both in scholar publications and in popular magazines as examples of excellence in sustainable design. The recognition of Alessandro’s research is corroborated by a record of over 150 scientific publications and by as many citations, including in popular periodicals such as Wired, the New York Times, the Independent, Reuters, and the Conversation. His work was the object of several exhibitions and of a recent monograph (Rome, 2020) edited by Giuseppe Fallacara Chirico, titled “Alessandro Melis, Utopic Real World.” 

Decolonising Performative Architecture Seminar Series: “Earthen Towers” Stephanie Chaltiel , MuDD Architects, Tuesday, March 9, 2.30pm GMT | Online

When: Tuesday, 9th of March at 2.30pm GMT

Blackboard link: https://eu.bbcollab.com/guest/a1f67e76494344a3ba9b0a002be29c38

The seminar is organised by Paolo Cascone, Yota Adilenidou and Maddalena Laddaga in the frame of Architecture and Environmental Design DS3A “Decolonising Performative Architecture” seminar series.

Stephanie Chaltiel is a French architect and interior designer working with innovative techniques and natural materials offering unique designs for each project. She began her career in Mexico and French Guyana building by hand with local dwellers houses. After working for Bernard Tschumi in New York, OMA and Zaha Hadid she started her own practice. Her award winning projects marrying cutting edge technology and raw materials (ACADIA, MIT 2017, part of the ICON Design 100 talents 2019 and Dezeen Awards Winners Highly commended mention) has been presented and exhibited worldwide. She taught at SUTD Singapore, Westminster London, AA London, Ravensbourne London, and at the architectural school of Brighton and more recently at Elisava Barcelona. She was also during 4 years an EU Marie Curie scholarship recipient when she developed the drone spray technology for sustainable architecture and refurbishments. She’s a partner at www.muddarchitects.com .

Decolonising Performative Architecture Seminar Series: “Think Global, Act Local” Farzana Gandhi, New York Institute of Technology – School of Architecture and Design, Monday, March 8, 2pm GMT | Online

When: Monday, 8th of March at 2pm GMT

Blackboard link: https://eu.bbcollab.com/guest/0c1eb0958d304a78a4b51396245b91fd

The seminar is organised by Paolo Cascone, Yota Adilenidou and Maddalena Laddaga in the frame of Architecture and Environmental Design DS3A “Decolonising Performative Architecture” seminar series.

Farzana Gandhi is Registered Architect in New York and a LEED Accredited Professional. Her architecture and planning practice, Farzana Gandhi Design Studio, focuses on sustainable and socially conscious solutions, both locally and abroad. Recent work includes a primary school in Senegal, Africa; community visioning and streetscape design in East Harlem, NY; resiliency strategies and NYCHA campus connectivity in Inwood, NY; and replicable, modular infrastructure for Puerto Rico. Farzana is most interested in how widespread social impact can be achieved at the intersection of architecture and its environmental, cultural, and socioeconomic framework. Her deep commitment to community outreach is driven by deep inquiry, investigation, and integration. Early this year, Farzana also cofounded Collective Infrastructures, a multidisciplinary design lab confronting complex societal challenges with unique comprehensive response. To build a community based on social and environmental resiliency, the team creatively coordinates a rethinking of social, economic, cultural, environmental, educational, medical, and technological infrastructures in disaster hit and/ or disadvantaged neighbourhoods. Farzana frequently lectures about her work, which has been recognised globally through publications, exhibitions, awards and honours. Farzana is also tenured Associate Professor of Architecture at the New York Institute of Technology, where she teaches across the design studio and visualisation sequence and pursues multidisciplinary design research focused on social impact design. Farazana earned a Master in Architecture with Distinction from the Harvard Graduate School of Design. At the University of Pennsylvania, she graduated Phi Beta Kappa with Bachelor of Arts in Architecture, as well as a Bachelor of Arts in Spanish with Distinction. 

Principal, Farzana Gandhi Design Studio |  www.farzanagandhi.com Associate Professor of Architecture, New York Institute of Technology 

T R A J E C T O R I E S Talk Series: “Craft: From Sketch to Building” with Alice Hardy and Yannick Guillén, Thursday, March 4, 18:00 GMT | Online

When: Thursday, 4th of March at 6pm GMT

Join via Teams: https://teams.microsoft.com/l/meetup-join/19%3ameeting_ZmI1MzhkYTAtYTA3Zi00MDdkLTg0M2ItNDRmYzdiMWE4ODdi%40thread.v2/0?context=%7b%22Tid%22%3a%22bb3c97ff-11b5-4b37-92cf-1897b2d8766b%22%2c%22Oid%22%3a%220ca04870-4816-4cbc-81f3-221d818f2d11%22%7d 

T R A J E C T O R I E S  TALK SERIES | THURSDAYS from 6PM GMT

A new series of talks inviting architecture graduates to reflect on their time as students and their exciting next steps. Each week two speakers will explore personal creative aspirations, ideas and agendas, and present the somewhat unexpected trajectories of their early careers. Looking forward to seeing you all there! 

This Thursday Alice Hardy and Yannick Guillén will speak about projects on site. They will share stories of getting bespoke buildings off the ground to ideas of shaping the public realm. Hopefully inspiring for your current design projects and the ideas materiality and types of spaces that you are exploring! Please come and bring friends along. 

Alice worked at Jan Kattein Architects for two years and will continue to do so through her practice placement. Through JKA she developed her interests in making and self-build projects. She has just completed a self-build project where she worked as a full time Site Manager. Alice has been involved in a number of independent self-built projects such as festival installations and pavilions and a competition with Raumlabor in Munich. 

Yannick has worked for Crossboundaries Architects in Beijing, Sauerbruch Hutton in Berlin and Herzog de Meuron in Basel. In 2015 he started working for Witherford Watson Mann Architects in London, where he was architect on the Stirling Prize nominated Nevill Holt Opera, a complex adaptation of a 16th century stable block into a state-of-the-art opera theatre. In 2019 he set up Guillén Esteras Architects and has since worked on a number of architecture projects of various types and scales, including a feasibility for a hospital campus in Lagos, Nigeria, a competition for a public library in Madrid and a single-family home in Wales. 

Decolonising Performative Architecture Seminar Series: “Six strategies for a more participatory architecture” Giancarlo Mazzanti, El Equipo Mazzanti, UCL, Thursday, February 25, 3pm GMT | Online

When: Thursday, 25th of February at 3pm GMT

Blackboard link: https://eu.bbcollab.com/guest/0c1eb0958d304a78a4b51396245b91fd

The seminar is organised by Paolo Cascone, Yota Adilenidou and Maddalena Laddaga in the frame of Architecture and Environmental Design DS3A “Decolonising Performative Architecture” seminar series.

Giancarlo Mazzanti is the founder of El Equipo Mazzanti, social values are at the center of Mazzanti’s architecture. He seeks to realize projects that give value to social transformations and build communities, and has dedicated his professional life to improve quality of life through the design of the environment and the idea of social equality. His work has become a reflection of the current social changes occurring in Latin America and Colombia, showing that good architecture manages to build new identities for cities, towns, and inhabitants, and transcend reputations of crime and poverty.  

Amongst some of his most relevant projects are the International Convention CenterBiblioteca España, and the South American Games Coliseums, all in Medellín, Colombia. Works in other areas of Colombia include the Tercer Milenio ParkEl Porvenir Kindergarten in Bogota, Timayu Kindergarten in Santa Marta, Pies Descalzos School in Cartagena, and Marinilla Educational Park. Mazzanti graduated from Javeriana University in Colombia, with postgraduate studies in industrial design and architecture in Florence, Italy. He has experience as a visiting professor in Colombian universities, as well as in world-renowned universities such as Harvard University, Columbia University, and Princeton University. He is also the first Colombian architect to have his works in the permanent collection of the Museum of Modern Art in New York and in the Centre Pompidou in Paris. 

T R A J E C T O R I E S Talk Series: “Community” with Cassie Li and Robert Newcombe, Thursday, February 23, 18:00 GMT | Online

When: Thursday, 23rd of February at 6pm GMT

Join via Teams: https://teams.microsoft.com/l/meetup-join/19%3ameeting_ZmI1MzhkYTAtYTA3Zi00MDdkLTg0M2ItNDRmYzdiMWE4ODdi%40thread.v2/0?context=%7b%22Tid%22%3a%22bb3c97ff-11b5-4b37-92cf-1897b2d8766b%22%2c%22Oid%22%3a%220ca04870-4816-4cbc-81f3-221d818f2d11%22%7d

T R A J E C T O R I E S  TALK SERIES | THURSDAYS from 6PM GMT

A new series of talks inviting architecture graduates to reflect on their time as students and their exciting next steps. Each week two speakers will explore personal creative aspirations, ideas and agendas, and present the somewhat unexpected trajectories of their early careers. Looking forward to seeing you all there! 

Cassie studied her Part 1 at the University of Westminster with a semester abroad at RMIT University in Melbourne, Australia. Whilst studying her BA, she worked with the architectural group CAUKIN Studio on designing and building community projects in Fiji as both a participant and project leader, where she gained hands-on experience in local timber construction. After graduating Cassie went on to work at dRMM Architects for a year before joining CAUKIN Studio full-time in January 2021.  She is now working on developing international humanitarian projects as well as UK-based projects with a focus on social impact. 

Robert completed his MArch and BSc Architecture degrees in the Bartlett School of Architecture, which culminated in designing spatial interfaces for inclusive participatory processes, to facilitate meaningful community-led design outcomes. During his studies and after having graduated Robert co-directs the Aldea Foundation in Chile, working with an interdisciplinary team to design architectural and public space interventions, organise public city-wide architecture festivals and run educational workshops for young people. 

Decolonising Performative Architecture Seminar Series: “Architecture for Automation” Mollie Claypool from the Bartlett School of Architecture, UCL, Tuesday, February 23, 2pm GMT | Online

When: Tuesday, 23rd of February at 2pm GMT

Blackboard link: https://eu.bbcollab.com/guest/a1f67e76494344a3ba9b0a002be29c38

The seminar is organised by Paolo Cascone, Yota Adilenidou and Maddalena Laddaga in the frame of Architecture and Environmental Design DS3A “Decolonising Performative Architecture” seminar series.

Mollie Claypool is an architecture theorist working on issues of social justice including the future of housing, labour and work. She is concerned with the social and economic implications of new technologies and automation on architectural production and disciplinary practices. She is Director of Automated Architecture Ltd (AUAR), a design and technology consultancy and Co-Director of AUAR Labs at The Bartlett School of Architecture, UCL where she has been a Lecturer since 2015. Mollie is co-author of Robotic Building: Architecture in the Age of Automation (Detail Edition 2019) and author of the SPACE10 report “The Digital in Architecture: Then, Now and in the Future” (2019).