Summer School: Living With Earthquakes, Università Politecnica delle Marche, Fermo, Italy_12th-21st of July 2019

The present programme builds on the LIVING WITH EARTHQUAKES conference held in Cambridge in October 2017, which discussed earthquakes that affected the Apennine regions, causing widespread destruction and damage to cultural heritage. This summer school is therefore part of a wider research initiative, involving a dialogue between the SCIENCES (Seismic Engineering, Geotechnics, Construction) and the HUMANITIES (Philosophy, Sociology, Architecture and Urban Studies, History of Art and Architecture).

The new programme is based on the successful experience of the 2018 edition, held in Amandola and takes advantage of the surveys and design proposals produced and presented in the final exhibition on the 1st of August 2018.

Aims and Strategies:

Advanced Master students and PhD candidates in landscape architecture and planning, architecture, engineering, art history and philosophy will be based in Falerone and will make a comparative study of three hill towns in the province of Fermo: Falerone, Amandola and Motefortino.

Field studies and teaching will include:

  • understanding the urban landscape
  • understanding the value of the tangible and intangible heritage
  • principles and problems in the conservation of historic fabric
  • the use of archival material in preparing design appraisals and reports

Students will be given the opportunity to present their research for critical review.

Applications:

Master and Doctoral students from different fields are invited to send their applications, consisting of a motivation letter and a CV to cultureofcity@gmail.com 

Fees:

The summer school fee of 150€ per participants covers essential course materials, including digitalised information, visits to case study sites in the three towns, and a joint dinner. Accommodation (bed and breakfast) has been arranged in Falerone at a cost of 30€ per night.

Key Dates:

20th of May 2019 – Application deadline

1st of June 2019 – Accepted students confirmed

10th of June 2019 – Fee payment to confirm participation

For full programme, teaching staff and participating universities please refer to the poster.

Monsoon [+ other] Grounds – Full Programme_Thursday 21st and Friday 22nd of March,

Monsoon [+ other] Grounds is the third in a series of symposia convened by the Monsoon Assemblages project. It will comprise a key-note address, inter-disciplinary panels, and an exhibition. The event will bring together scholars and practitioners from a range of disciplines to engage in conversations about geologies, soils, histories, spatialities, and modifications of monsoon [+ other] grounds.

The confirmed keynote speaker is:

Tim Ingold, Professor and Chair of Social Anthropology at the University of Aberdeen. His early work involved ethnographic research amongst the Skolt Saami of northeast Finland. This led to a more general concern with human-animal relations. Most recently, he has been working on the connections between anthropology, archaeology, art and architecture, conceived as ways of exploring the relations between human beings and the environments they inhabit, as mutually enhancing ways of engaging with our surroundings. Ingold is author of numerous books, anthologies and essays, including, most recently, The Life of Lines (Routledge, 2015) and Anthropology: Why it Matters (Polity Press, 2018).

Event Programme

Thursday 21 March

15.30 Registration / Tea

15.45 Welcome: Simon Joss, University of Glasgow

16.00 – 17.00 Exhibition walk-about led by John Cook

Exhibitors: Alexandra Arenes, Matt Barlow, Blue Temple, Hari Byles, Corinna Dean, DS18 students, Tumpa Fellows, MONASS, Ben Pollock

17.00 – 18.00 [multi]grounds

Chair: Ed Wall, University of Greenwich

Lindsay Bremner, MONASS: On sediment as method

Ifor Duncan, Goldsmiths College: Sedimentary Witness

18.30 Keynote Lecture: Tim Ingold, University of Aberdeen

Chair: Lindsay Bremner

Friday 22 March

09.45 Registration / Coffee

10.00 Welcome + introduction: Lindsay Bremner, MONASS

10.15 – 11.30 [over]ground matters

Chair: Godofredo Pereira, Royal College of Art

Alexandra Arenes, University of Manchester: Mapping the Critical Zones

Christina Leigh Geros, MONASS: Here be Dragons

Avi Varma, Goldsmiths College: Unjust Intonations

11.30 – 11.45 Tea

11.45 – 13.00 [inter]ground matters

Chair: Kirsten Hastrup, University of Copenhagen

Owain Jones, Bath Spa University: Monsoon + Tide

Jonathan Cane, University of the Witwatersrand: Permeability, Ocean, Concrete

13.00 – 14.00 Lunch: Convivial Grounds

14.00 – 15.00 [under]ground matters

Chair: Tim Waterman, The Bartlett UCL

Anthony Powis, MONASS: The Materiality of Groundwater: Leaking, Seeping, Swelling, Cracking

Matt Barlow, University of Adelaide: Floating (under) ground

15:00 – 16:00 [in]ground matters

Chair: Alfredo Ramirez Galindo, AA

Eric Guibert, University of Westminster: Architectural Soils

Harshavardhan Bhat, MONASS: About a Monsoon Forest

16.00 – 16.15 Tea

16.15 – 17.30 [with]ground matters

Chair: Radha D’Souza, University of Westminster

Naiza Khan, Goldsmiths College: Sticky Rice and Other Stories

Beth Cullen, MONASS: Brick

Labib Hossain, Cornell University: Wetness and the City: A Critical Reading of the Dry and Permanent Ground Through the Practice of Muslin Weaving in Bengal

17.30 – 17.45 Closing Remarks: David Chandler

17.45 -19.00 Drinks

Interiors Lecture Series: Tomasz Fiszer, MJP Architects “Reusing Buildings, Reimagining Interiors”_Thursday, March 21 at 13:00 in MG14, Marylebone Campus

The next lecture in the Interiors Lecture Series will take place on Thursday 21st March at 1pm in MG14, at which Tomasz Fiszer, Associate at MJP Architects, will give a talk titled: Reusing Buildings, Reimagining Interiors. Tomasz will present three case studies and discuss how the past and present of the buildings can inform the rethinking and redesign of interiors and take their users into the future.

MJP Architects is an architectural practice established in 1972 and based in Spitalfields, London. The practice, which changed its name from MacCormac Jamieson Prichard in June 2008, works in a wide variety of sectors and on projects of differing scales; from master planning to exhibition design and from corporate headquarters to furniture.

All welcome!

RIBA Part 1 and Part 2 Bursaries_Deadline: 12pm Friday, April 19, 2019

The Royal Institute of British Architects (RIBA) is now open for applications for the 2019 RIBA Part 1 Bursary and RIBA Part 2 Bursary.

Full details of the eligibility criteria and application process can be found here.

RIBA Part 1 Bursary

To be eligible to apply for a RIBA Part 1 Bursary, students must be enrolled in the first year of an RIBA Part 1 course in the UK. Recipients of these bursaries will receive a maximum of £6,000 distributed in £1,000 termly instalments throughout the second and third years of study. Successful part-time applicants will receive the same maximum amount in payments proportionate to the length of studies. The deadline for receipt of applications is 12pm on Friday 19 April 2019.

RIBA Part 2 Bursary

To be eligible to apply for a RIBA Part 2 Bursary, students must be in the process of applying for an RIBA Part 2 course in the UK beginning in September 2019. Proof of enrolment will be required before the bursary is paid to successful applicants.

Recipients of these bursaries will receive a maximum of £6,000 distributed in £1,000 termly instalments throughout the course of the Part 2. Successful part-time applicants will receive the same maximum amount in payments proportionate to the length of studies. The deadline for receipt of applications is 12pm on Friday 12 April 2019.

Reminder that the RIBA Student Support Fund, Spring 2019 application cycle is still open and current Part 1 and Part 2 students ARE eligible to apply.

Full details about this scheme are available here.

The deadline to apply is 12pm on Friday 29 March 2019.

Featured image: RIBA website – courtesy of Jordan Green, past recipient of a RIBA Part 2 Bursary

Competition for Students: COINS Grand Challenge “Building the Future”_Deadline: 12th of April

The COINS Grand Challenge is a global competition to uncover students, innovators and leaders with ideas that have the power to positively impact the built environment, and our society. We are searching for viable ideas that use a new or emerging technology to radically reduce costs, to increase efficiency or to improve sustainability, quality or compliance during construction or throughout the built life cycle.

To win cash prizes and gain exposure to influential leaders, all your students need to do is write an essay or create a short video to please describe their idea and its potential impact, and enter it on the Grand Challenge application website.

Entries should be submitted before 12 Apr 2019. Apply here: https://coins.secure-platform.com/a/

Take a look at some of the 2018 Grand Challenge finalists and their winning ideas and get inspired to submit and complete your application.

Finalists travel for free…

If selected as a finalist, undergrads will present their idea to the judging panel in Manchester, UK on Wednesday 12th June 2019. And COINS will get them there expenses paid.

Call for Papers: Design Research for Change Symposium, The Design Museum, Wednesday 11th and Thursday 12th of December 2019_Paper Submission Deadline, April 5

Context

A quick search of the word “design” reveals hundreds of different definitions. Likewise, there are many different designers – different disciplines, different attitudes, different goals, different agendas, different ways of working, different ways of doing research, different outputs, and different values. Perhaps, however, the connection between all of these diverse activities is the iterative development of products, services, systems, experiences, spaces, and other stuff in order to improve the human experience. In other words, using the power of human creativity to improve humanity.

Today, with its application across a wide range of different disciplines and fields, design is being used to help address significant, complex, and global issues ranging from antimicrobial resistance to mobility, from healthy ageing to migration. And with its inherent agility and applicability, design helps shape the technological advances which are transforming the world around us.

In recent years, design research has witnessed a “social turn” where researchers have looked to make change in social contexts as opposed to wholly commercial ends. This “social turn” has encompassed a range of activities and interventions that constitute a more “socially-driven” form of design, which suggests that researchers and practitioners from non-design disciplines are central to realising change in social situations.

The Design Research for Change (DR4C) symposium will examine this “social turn” in design in detail and explore how design is increasingly involved in social, cultural, economic, environmental and political change. The DR4C Symposium will highlight the significant roles that design researchers play in some of the most challenging issues we face, both in the UK and globally, such as creating new products with reduced environmental impact, design research that enhances policy-making through greater citizen involvement, gaming interventions that prioritise the rights of girls and women to live a life free from violence, and design research that helps address recidivism by reframing prison industries as holistic “creative hubs”.

Audience

The audience for this symposium is wide and will not only include design researchers, design practitioners, and design academics BUT will be of significant interest to researchers in other areas including (but not limited to) education, healthcare, government, biotechnology, engineering, management, computing, and business. Given the reach and interdisciplinary nature of many forms of contemporary design research it is anticipated that this symposium will be of interest to practitioners and researchers in a wide range of disciplines.

Themes

The DR4C Symposium is a much-needed, timely, and significant one. The themes proposed (below) are intended to be inclusive (not exhaustive) and contributions are very welcome that challenge these areas and others.

Design Research for Economic Change

Design Research for Social Change

Design Research for Health and Wellbeing Change

Design Research for Environmental Change

Design Research for Educational Change

Design Research for Energy Change

Design Research for Public Services Change

Design Research for Behaviour Change

Design Research for Care Change

The DR4C Symposium aims to include a rich mix of design-led research papers, from authors across the world. This will include papers where design research traverses disciplinary, methodological, geographical and conceptual boundaries that highlights the wide-ranging social, cultural and economic impact of emerging forms of design research. We expect that collaboration will be a key factor in these Design Research for Change Symposium papers drawing on expertise, for example, in areas such as business, engineering, environmental science, health and wellbeing working alongside a wide range of design researchers.

Questions

We invite authors to submit high-quality, previously unpublished, original contributions that explore one or more of the DR4C Symposium themes. Submitted papers will be assessed through a double-blind review process and accepted papers will be published in a Design Research for Change book.

We ask authors to consider and respond to one or more of the following questions in their DR4C paper:

  • What are we as design researchers with other researchers changing? Why?
  • What difference(s) is your design research actually making?
  • Who decides what to change?
  • Who decides/evaluates if this change is “positive” or “good” or “enough”?
  • What impact has your change delivered? At what cost?

Also, we ask interested authors to consider how their design research project addresses one or more of the following:

  • Why is your design research concerned with change-making?
  • What have you tried to change through your design research?
  • Who has activated the change? And who has been affected by that change?
  • How have you delivered change though your design research?
  • What evidence do you have for the change that you claim?
  • When has your design research brought about positive change and when has it been detrimental?
  • Where else have you seen change happening?

Further, more broadly and looking to the future:

  • What should design research change now?
  • Can design research really change anything?
  • What will you do to make change?
  • In what ways do you envision the impact of such change to be evaluated?

Submission Details

DR4C papers should be a maximum of 5,000 words (excluding references) and should include relevant images. Submissions should be anonymised for double-blind review. Accepted paper authors will be given a 30-minute single-track presentation slot at the Design Research for Change Symposium at the Design Museum, London on Wednesday 11 and Thursday 12 December 2019. Submissions should be in PDF format.

* DR4C papers should be emailed to p.rodgers@lancaster.ac.uk before 5 April 2019.

Key Dates

5th February 2019 – Design Research for Change Symposium Call-for-Papers

5th April 2019 – Paper Submission Deadline (maximum 5,000 words)

3rd May 2019 – Announcement of Paper Decisions

10th May 2019 – Design Research for Change Symposium Registration Open

3rd June 2019 – Final Paper Deadline

11th & 12th December 2019 – Design Research for Change Symposium

Acknowledgements

The Design Research for Change (DR4C) Symposium is supported by the Arts and Humanities Research Council (AHRC) under the AHRC’s Design Priority Area Leadership Fellowship scheme (Award Ref: AH/P013619/1) and the Design Museum, London.

Guest Lecture: Dr Jingru Cheng, “Home: A Project of Rural China”, Thursday, March 7, 18:00, Robin Evans Room (M416)

When: Thursday, 7th of March at 18:00

Where: Robin Evans Room (M416), 35 Marylebone Rd, Marylebone, London NW1 5LS

China’s 245 million floating population has resulted in a missing middle generation in contemporary rural families. Through fieldwork and case studies of self-built rural family houses, the research identifies a fundamental change in the idea of family and domesticity, and terms this phenomenon the ‘dissolved household’. The elastic relationship in household managements manifests a flexible, spatially stretched form of labour division and collaboration between genders, generations and households. The idea of domestic space is thus an elastic form of association.

Dr Jingru Cheng’s research project, Care and Rebellion: The Dissolved Household in Contemporary Rural China, recently received a commendation in the RIBA President’s Awards for Research.

Her work traces the fundamental changes taking place in the nature of domestic space in China.

Featured image: The Yard in Liu Brothers’ Family House, Shigushan Village, Wuhan, China, 2016 (Photo & Collage by Jingru Cyan Cheng).

ADAM Architecture Travel Scholarship_ Deadline: April 30, 2019

ADAM Architecture is inviting students to apply for its annual Travel Scholarship.

The award, increased this year to £2,000, supports overseas research in architecture, architectural technology and urban design.

The closing date is 30th April 2019.

Judges will be looking for a significant piece of original research work, and an outstanding contribution to architectural knowledge. The award is not focused on traditional architecture and the judges are stylistically neutral in their evaluation of the proposals.

The scholarship is open to students enrolled at a UK or International University or School of Architecture, studying RIBA Part I and up to 3 years after Part II qualification, studying a CIAT accredited degree or post-graduate course, or equivalent qualification.

For further details and how to apply go to: https://www.adamarchitecture.com/travel-scholarship.htm

Panel Discussion: “Dressing / Undressing the Landscape” with DS22 tutors Yara Sharif and Nasser Golzari, Rich Mix, Saturday, March 9, 14:00-16:00

How can communities outside the Middle East, including diaspora, engage in influencing the decolonization of public space and architecture?

Alongside the exhibition, a panel discussion on the Arab cities of Mosul, Baghdad, Riyadh, Ramallah, Beirut, Damascus and Gaza will take place to unpack their vanishing landscape and the way it is being ‘Dressed and Undressed’. Notions such as Home, re-production, re-construction and re-imagination of space will be interrogated by different researchers through film, drawings and mapping.

This event is FREE and open to all but registration is essential to attend.

To book please go to: https://www.eventbrite.co.uk/e/dressingundressing-the-landscape-panel-discussion-tickets-57315042836

The event will be organised by PART and the panel discussion will be led by PhD students and researchers from the University of Westminster and University College London.

Curator Yara Sharif invites guests to explore the concept behind the exhibition, and its importance as an alternative lens into a world of responsive architectural design.

The discussion will address the social and environmental issues of colonisation, where foreign architecture and spatial design can demolish not only functional space, but with it, layers of history, culture, memory and identity.

Chair : Dr Nasser Golzari

Panelists: Dr Murray Fraser & Yara Sharif

Exhibitors:

  • Palestine Regeneration Team (PART)
  • Yara Sharif
  • Hemali Rathod
  • Julia Topley
  • Sakiya: Art, Science, Agriculture
  • Sahar Qawasmi
  • Rim Kalsoum
  • Hiba Al-Safi
  • Nuha Hansen
  • Angeliko Sakellariou
  • Dana Nasser
  • May Sayrafi
  • Samar Maqusi

AWAN, which is about to enter its 5th edition, showcases the work of contemporary Arab women artists in the UK, Europe and beyond, providing opportunities for artists and audiences to celebrate, be informed and network whilst exposing new audiences to the work of emerging and established artists.

AWAN is produced by Arts Canteen and supported by Rich Mix London

Architecture Research Forum: “Rethinking the mosque in Britain” Shahed Saleem, Thursday, March 7, 13:00-14:00, Erskine Room, 5th Floor

When: 13:00-14:00, Thursday, 7th of March

Where: Erskine Room (M523), 5th Floor, Marylebone Campus

Shahed Saleem is a practising architect and teaches both Design Studio and History & Theory at SA+C. He is also a Senior Research Fellow on the Survey of London.