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KSDIY17: Kurt Schwitters ‘DIY’ Summer School, 14th-22nd July in Cumbria

Kurt Schwitters ‘DIY’ Summer School for architects, craft/design artists and art students will take place between 14th and 22nd July 2017 at the Merz Barn site, Elterwater, Cumbria – the site of Kurt Schwitters’ last Merzbau experiment.

“Schwitters’ Merzbau experiments were an important influence on the development of early modern architecture..” (Rem Koolhaas, OMA)

The Summer School will offer creative workshop opportunities*, architectural experiments and construction skills projects located in the dramatic landscapes of the Lake District National Park:

  1. Merzbau Art Museum: design and construction of large scale architectural models as the basis for a future Kurt Schwitters Merzbau art museum; the narratives of Kurt Schwitters’ four Merzbauten projects (1923-48)
  2. New Rural Design and Architecture workshop skills: learn traditional rural craft construction skills – dry stone walling, coppice/benders, and sleeping pods in the orchard;
  3. Traditional scything, hay rope making and hay meadow management: an introduction to the use of the Austrian (light) and English (heavy) scythes; basic scything skills, grass architecture and hay rope making, and basic introduction to hay meadow ecology and management;
  4. Self-directed projects: e.g. in painting, drawing, photography, video, audio arts, and printmaking, etc., are also encouraged.

There is a small gallery and tools store on site, but students are responsible for their own materials, food and cooking arrangements.

*NB the workshops are informal and programmed according to demand. They can also be offered as one or two half day intensives by arrangement so that people can mix.

Highlight of each KSDIY Summer School – music, food and BBQs!!

Fees: £195 including fully equipped bunk barn accommodation (9 nights) and workshops tuition £100 non-bunk barn, free use of camping facilities, showers, etc. on site at the Merz Barn

For further information and bookings please contact: The Merz Barn project (Ian or Celia) More details are available upon request.

email: littoral@btopenworld.com

tel: 015394 37309

mobile: 07796 617167

web-site: https://merzbarnlangdale.wordpress.com/

MArch Students Help Curate an Exhibition in Support of Architects Benevolent Society

Last Wednesday, 7th of June, an art show called “Let Us Take You by the Hand”, organised in support of the Architects Benevolent Society , was opened at Brady Mallalieu Architects.

Curated by Nouha Hansen and Crista Popescu, our MArch students who also run Westminster Architecture Society, the exhibition features over 40 pieces from both beneficiaries of the Architects Benevolent Society, as well as its valued supporters.

We asked Crista and Nouha to tell us a few words about this project and their curating experience.

OSW: Hi Crista and Nouha! Could you tell us a bit more about how you got involved in this project?

Crista: Two years ago, in my final year of bachelor’s degree, I saw an AJ article about the Architects Benevolent Society and their call for volunteers. At the time, it was a casual conversation between a few of us in the studio that if we move to London we should help. When I eventually did move, I contacted ABS and went to meet them. They’re lovely people, a pleasure to work with, and the work they do is admirable! Nouha joined me not long after and we’re hoping we could make more students aware of their existence. They’ve been around since 1850 and they exist to help architects and their families, so for us it is a worthy cause to support.

OSW: Was this the first time you’ve curated an exhibition, and how was that experience for you?

Nouha: We are currently working on OPEN2017 with our studios. We both have earlier curated end of year shows, which was a comparable experience. The Westminster Architecture Society has also previously curated an ‘open source’ field trip exhibition with photos from the 3rd year trip to Venice.

This time is was a matter of working in a smaller team, just the two of us on the design and delivery aspect, but with the support of the ABS team. It was interesting to see the concept evolve gradually as we received more and more contributions, even last minute. We wanted to showcase the memories of London the artists and beneficiaries shared with ABS in the best way possible, as it felt very personal.  Personally, sharing in their memories and thoughts has given me a stronger relation to London.

OSW: How did you go about choosing the architects/artwork for the exhibition?

Crista: The exhibition features art work from both beneficiaries and supporters of the charity. One of the aims of the event is to promote the charity to more people in the profession, so we thought launching open calls and acting as ambassadors ourselves would achieve this. ABS launched an open call in March, and they thankfully received many lovely contributions from past and present beneficiaries. We also asked a few of our friends if they would like to contribute, as we were keen for the event to reach students/recent graduates as well. However, our warmest thanks for her support go towards the ABS President, Angela Brady, who was an excellent ambassador for the charity and her open call towards her network attracted significant support. She even contributed herself to the exhibition with two stunning glass pieces.

Once we had everything we decided on showing most of the artwork received as they are truly wonderful, and to us not just pictures, but little snapshots of someone’s life. All other memories were collected into dedicated presentation boards. For example, one of the beneficiaries, John Rae, wrote us a lengthy letter recalling the Festival of Britain in 1951, working with Maxwell Fry and Jane Drew, and having water fights with Cedric Price – it was only fitting for us to try and share these stories in more detail on the boards.

OSW: Do you have a favourite piece in the exhibition?

Nouha: It is so difficult to choose one favourite as the contributers’ styles, scenes and memories are all unique tellings about specific experiences in the lives. I feel like I connect with each piece in a different way!

Crista: I agree with Nouha! It was lovely to get to know each piece and each artist’s story, and it makes it difficult to choose! A few that pop to mind? This lovely collage of Leighton house made from leftover lace and ribbons from the beneficiary’s two daughters since they were little, Chris Wilkinson telling us about the gas holders at King’s Cross, or a photo collage by Andrew Carr of his son coming down the stairs in their family home.

OSW: Are there any upcoming projects of a similar kind that you’re working on?

Nouha: For now, the focus is on OPEN2017, which we hope will be a succesfull and enjoyable event for everyone.

Crista: We will continue to be involved in the Westminster Architecture Society and Architects Benevolent Society, and it’s likely that we will organise other types of events. In April, ABS launched AnxietyArch, so we’re planning a separate release for students at the start of the next term. We also would like to continue organising the lecture and symposium series through WAS next year. I’ll just take this opportunity to also invite more students to get involved, either in WAS or ABS. It’s a rewarding process and it enriches one’s university experience !

PS: Thank you again to the wonderful team at ABS for their support and collaboration, and a special thank you to Angela, Reema, Mark, and Katie!

The works come from across the architectural community, including Chris Wilkinson, Jane Duncan, Cristophe Egret, Angela Brady, Yvonne Farrell, Sir Andrew Derbyshire. The artists kindly donated their work to the charity and it’s now on auction on the following web-site:

http://absnet.org.uk/support-us/get-involved/events/let-us-take-you-hand/art-auction

Each piece is unique, created for the occasion, and they’re all accompanied by a short story/memory from the artists themselves, recalling personal experiences or thoughts.

The exhibition is on from 7th until 30th June, opened weekdays from 1pm-6pm, at Brady Mallalieu Architects.

Address: Studio D, 400 Caledonian Rd, London N1 1DN

This exhibition is part of the London Festival of Architecture!! Don’t miss it!

 

Photos: Courtesy of Architects Benevolent Society

 

About Architects Benevolent Society:

In the autumn of 1845 a small group of architects met in the Freemasons’ Tavern on the south side of Great Queen Street, between Lincoln’s Inn Fields and Drury Lane, to consider setting up a fund for the relief of the more unfortunate members of their profession. Since then, the Architects Benevolent Society has been helping helping past and present members of the wider architectural profession, and their families, in times of need.

ABS helps architects, architectural assistants, AT professionals (architectural technologists and technicians) and landscape architects who have worked in the UK – and their families.

Do get in touch: http://absnet.org.uk/do-you-need-help

Marylebone Low Emission Neighbourhood (LEN) Pocket Parks and Planters Design Scheme – Student Competition Launch!

Marylebone Low Emission Neighbourhood (LEN) Pocket Parks and Planters Design Scheme

What is the Marylebone LEN?

The Marylebone LEN is a partnership project developed by Westminster City Council and local stakeholders, to improve air quality throughout the Marylebone area.

The LEN includes developing a Marylebone ‘Green Spine’, introducing physical changes to the landscape to make it a more pleasant pedestrian environment. The ‘Green Spine’ connects Marylebone High Street, George Street and Paddington Street.

Find out more here: www.marylebonelen.org

What is the Pocket Parks and Planters Design Scheme All About?

The Marylebone LEN is working with the School of Architecture and Build Environment to run a student competition, where we want the students to design the pocket parks and planters for the ‘Green Spine’.

The winning design entry will have their designs built throughout the ‘Green Spine’. Design entries can come in any form – from an image, to a sketch, to a small model.

The winning entry will receive a £2,000 cash prize.

Why Should You Get Involved?

Westminster University is located within the Marylebone LEN, and is a key stakeholder. By getting involved in the competition, you are helping to improve the air we breathe, benefitting our local communities and neighbourhoods.

Entering into the competition provides an excellent opportunity to get to know potential and future employers, as well as build on your portfolio of work. Should your design be successful, you will be given full credit for the design.

What are the Key Dates?

Timeframes are as follows:

June 2nd 2017: Competition launches

June 23rd 2017: Competition commences / registration closes

July 17th 2017:  Interim design submission / presentation to judging panel

August 14th 2017: Final design submission

W/E August 14th 2017: Successful design entry awarded / presentation to judging panel

Who Should You Contact If You are Interested?

To register for the competition: Rita Darch (r.a.darch@westminster.ac.uk)

Competition information / questions: Professor David Dernie (D.Dernie@westminster.ac.uk)

and Professor Harry Charrington (H.Charrington@westminster.ac.uk)

Marylebone LEN information / questions: Maria Curro (mcurro@westminster.gov.uk)

 

Download brief: https://www.dropbox.com/sh/ykwz8ya72fxruxo/AAAPZL7oJ6IFg_psAYh3rS0Ra?dl=0 

Summer Skills Academy 2017

Skills Academy 2017 is a series of 40 seminars and workshops arranged by the Career Development Centre, aimed at helping the students find work opportunities and establish a career path.

The sessions are delivered by industry professionals and employers. They will share their knowledge and provide the students with practical advice, to help them prepare for entering competitive jobs market.

This year’s featured employers include Goldman Sachs, CIMA, IBM, Teach First, Brightsparks, The Civil Service, Greggs Plc, The Thinking Revolution, Production Base, Hey Tempo, Shaylor Group, Evolve Integral Ltd, Careercake, The Stephen Lawrence Trust and Aptitude Digital Solutions plus more.

The sessions have started on Monday 22nd May and will run until Monday 5th June across Marylebone, Regents and Cavendish campuses.

Open to all students at all levels and faculties across the University and also graduates and alumni of the past three years.

For more info: https://www.westminster.ac.uk/study/current-students/news/2017/22-may-5-june-skills-academy-2017

Full list of speakers: http://blog.westminster.ac.uk/careers/2017/05/08/skills-academy-2017/

 

 

A Site Diary Project

Site Diary is a twelve-week module run by the Technical Studies team and it’s a part of the 2nd year BA’s curriculum. The aim behind this project is to introduce the students to the construction site and the site team. The idea is to give students a chance to “witness, record and speculate on the Architect’s role in the construction process”,  as well as to help them gain first-hand experience of working on a building site.

Students work in pairs, and are expected to choose their own local building site, communicate with the job architect(s) and / or contractors, and visit the site several times over the duration of the module.

In order to provide the context, give some structure and background to the task, as well as to help students gain understanding of how operations on the site relate to the architect, client, contractor, design team and contracts, a Technical Studies team also runs a series of lectures as a part of this module.

At the end of the module students are required to hand in a document / diary containing the following:

  • An overview of the construction project addressing key questions delivered in the lecture series through graphics, text and sketches.
  • A structured photo-journal documenting the progress of works during the period of observation addressing a list of set questions.
  • Appraisal of the project in terms of Inclusive Design and the use of Digital Technology.
  • A time lapse study of part of the building construction sequence, either through a series of drawings, model or animation-scale.

Other creative ways of exploring and describing one’s experience on site are also welcome, such as this short film by Hugo Shackleton, which was part of his submission in May this year.

 

Cristina Popescu’s project on AJ pin up

An MArch, DS11 student Cristina Popescu‘s proposed water research centre project on Obudai Island in Budapest was featured on AJ pin up.

AJ pin up is the AJ Student Tumblr – gallery of students work aimed at showing “what tomorrow’s architects are working on.”

Browse their gallery: http://architectsjournal.tumblr.com/

OPEN 2017 Catalogue – Showing the Future of Architecture

We are exactly one month away from the OPEN 2017 – the end of year exhibition, which will showcase the work of our BA, MArch, IABA and Architectural Technology students.

Every year, alongside the exhibition, a catalogue of students’ work is published. We spoke to Clare Hamman, the catalogue designer, to tell us what we can expect from this year’s edition.

Same as in previous years, the catalogue is to feature the best of students’ projects and give general insight into the type of work produced at the Faculty of Architecture and Built Environment. Yet, as every architecture student and practicing architect knows, architecture is much more than just a final polished product. To highlight the importance of the design process and offer an understanding of the design trajectory, trials and errors involved, this year each studio section will be supplemented with an additional page, to show the evolution of the work throughout different design stages, from its conception to its realisation.

As a way of expanding the information on studios, a very short biography of tutors, their practices and research interests will also be included in this year’s edition.

For the first time the catalogue will feature work of students from the Designing Cities: Planning and Architecture (BA Hons) course, as well as the projects from the Architectural Technology (BSc Hons) course.

So, please join us for the opening of the exhibition on the 15th June and pick up your own copy of OPEN 2017 catalogue, as, in Clare’s own words, it’s about showing you the future of architecture.

OPEN 2017 is part of the London Festival of Architecture.

Opening night

Thursday 15 June 2016, 6–9pm

Exhibition continues daily for public entry: Friday 16 June – Friday 30 June, 9am–9pm (Sundays 9am–2pm)

Location

University of Westminster
35 Marylebone Road
London NW1 5LS

To view OPEN 2016 catalogue online please go to:

https://issuu.com/clarehamman/docs/open2016-digital

London Works Competition

London Works is a student ideas competition asking you to engage with a real place, a real client, and a pressing topic: how to retain and future-proof London’s work spaces and put on sustainable footing the heterogeneous qualities that make this city what it is. It will launch at the end of June and run for six weeks, there is prize money, a great jury, and a couple of seminars with excellent speakers that will bring you up to speed on the topic in no time.

Site: Nathan Way

Timetable:

26.06.2017 – 3pm: Full brief released

26.06.2017 – 3pm: Site visit followed by Introductory Talks – Learn about the history of Thamesmead, Peabody’s plans for its future, about The Ridgeway and Nathan Way.

27.06.2017 – 3pm: Seminar 1 “The Lay of the Land” – Talks on industrial land from policy, academic research and business perspectives, followed by discussion.

28.06.2017 – 3pm: Seminar 2 “The Future Of The Land” – Presentations of innovative ideas for mixed use work space developments, followed by discussion.

07.08.2017: Digital submission by 5pm

09.08.2017: Physical models can be submitted to Peabody central London office by 5pm 

11.08.2017 – 3pm: Public Jury

To book free tickets for Introductory Talks and Seminars, and for more info please visit: http://www.londonworks2017.info/

Simon Conder: Book Launch + Exhibition Private View

As part of the London Festival of Architecture the WORK Gallery in Kings Cross will be holding an exhibition of Simon Conder‘s work over the last 20 years.

The exhibition will run from 1 – 30 June, and the launch of their book Small Works will take place on Wednesday 14th June, 6-9.30pm in the same space.

Call for Papers- Industrial Heritage in the UK: Mutations, Conversions and Representations – Deadline 15th June

Industrial Heritage in the UK: Mutations, Conversions & Representations is a one-day conference organised by the University of Rennes 2 in France and will take place on Tuesday 10th October 2017.

The ambition of this one-day conference is to explore changes in the field of industrial heritage, its instrumental role in the provision of spaces for tourism, culture, and urban regeneration in general, and potential conflicts arising from the relationship between those various processes. Yet it will also be crucial to examine representations of industrial society and the tangible traces of industry in order to foreground mutations in terms of how industrial heritage has been depicted and perceived ever since the beginning of the industrial revolution. Thus it will offer a more comprehensive picture of the contrasting visions of a once neglected heritage.

Keynote speakers:

Tim Edensor is a Reader in Cultural Geography at Manchester Metropolitan University, and his research revolves around spaces of tourism, national identities, industrial ruins and wasteland, urban materiality, geographies of rhythm and rhythm analysis, and landscapes of illumination.

Ian Beesley is an award winning and internationally acclaimed artist and photographer. His work has been exhibited nationally and internationally, most recently at Milan Photo festival, Italy, the International Industrial Photography festival, Shengyang China, The National Media Museum, Bradford and the Peoples History Museum Manchester.

Proposals to be sent to Aurore Caignet (aurore.caignet@univ-rennes2.fr or aurorecaignet@gmail.com) by June 15th 2017.

For more info on please see:  https://indusheritage17.sciencesconf.org/